Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

The Weekly Text, 22 August 2025: A Lesson on the Latin Word Root Pel

This week’s Text is a lesson plan on the Latin word root pel. It means “drive” and can be found in such high-frequency English words as compel, dispel, expel, propel, and repel, all included, of course, on this scaffolded worksheet, which includes cognates from the Romance languages.

I open this lesson with this context clues worksheet on the verb animateIt’s used transitively, and in this document it means “to move to action.” I hope it points the way to the meaning of pel.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Common English Verbs Followed by an Object and a Gerund: Catch

Here is a worksheet on the verb catch when used with an object and a gerund.

He caught the train coming into Manhattan.

The principal caught the student skipping class.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Taboo

Here is a Cultural Literacy worksheet on the concept of taboo. This is half-page worksheet with a reading of two sentences and three comprehension questions. At the risk of pontificating, I think students, by the time they are in high school, really ought to understand the concept of taboo.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Absurdity

“absurdity: The experience of absurdity is a common theme in the work of novelists such as Dostoevsky and Kafka, as well as in the many varieties of existentialism. The early essays of Albert Camus and his first novel The Outsider are classic modern expressions of this experience. The realization that existence is absurd arises from the sense of futility and meaninglessness provoked by the perception that there is a divorce between the human aspiration towards infinity and the finite nature of actual human experience, or between the intellectual desire for rationality and the irrationality of the physical world. The world is experienced as something unintelligible, and as the product of random combinations of events and circumstances. Although the experience of the absurd can induce s suicidal despair, the realization that there is no God and that human beings are not immortal can also produce an exhilarating sense of freedom and inspire a revolt against the human condition. There is a somewhat tenuous connection between the literary-philosophical notion of the absurd and the themes of the Theater of the Absurd.”

Excerpted from: Macey, David. The Penguin Dictionary of Critical Theory. New York: Penguin, 2001.

The Weekly Text, 15 August 2025: A Reading and Comprehension Worksheet on Alan Turing

If memory serves, I wrote the documents in this week’s Text, to wit a reading on Alan Turing and its attendant vocabulary-building and comprehension worksheet early on in my career for a computer-obsessed young fellow. Alan Turing certainly remains an fascinating figure. And if the 2014 motion picture The Imitation Game indicates anything, it is that there is still popular as well as historical interest in Turing.

It’s probably worth mentioning that the T in the acronym CAPTCHA stands for “Turing.” The full name is “Completely Automated Public Turing test to tell Computers and Humans Apart.”

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Realism

This Cultural Literacy worksheet on realism might be of some use in an English classroom, though I admit I’ve never heard the term uttered in any English class I’ve co-taught. In any event, this is a half-page worksheet with a reading of two sentences, the second of which is longish, but not unwieldy, and three comprehension questions. A solid, but basic, introduction to this concept in the fine arts.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Read Between Lines

Here is a Cultural Literacy worksheet on the concept of reading between lines. This is a half-page worksheet with a reading of one sentence and one comprehension question. Yet like most of these things (i.e. Cultural Literacy worksheets), it gets a lot done with very little.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Elizabeth Hardwick on Reading

“Reading—what sort of subject is this? There are ‘reading scores,’ and ‘my early reading,’ and ‘reading the future.’ There are neurology and pedagogy and linguistics and dyslexia and lipreading. And then there is plain reading for information and pleasure—neither very plain indeed….”

Elizabeth Hardwick

[If you’d like to read the rest of this important essay, you can find it here transcribed as a Microsoft Word Document.]

Excerpted from: Hardwick, Elizabeth. The Uncollected Essays of Elizabeth Hardwick. New York: New York Review of Books, 2022.

The Weekly Text, 8 August 2025: Lesson Seven of a Unit on Writing Reviews

OK–after eight weeks of drafting these posts, this week’s Text is seventh and final lesson plan of a unit on writing reviews. Since this lesson concludes the unit and turns students loose to write their reviews, I have included four Cultural Literacy worksheets as do-now exercises with the idea that students will need at least four days to write and revise their compositions. So here are those documents on hyperbole, nuance, analogy, and paraphrase. Each of these worksheet is a half-page long with short readings and three or fewer comprehension questions.

At this point in the unit, students should have their thoughts on their review outlined, and, therefore, in a final state of organization. So this short organizer is the worksheet for this lesson, and simply asks students a few final clarifying questions on their planned paper. This is for their benefit, and one final clarifying exercise.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Pun

This Cultural Literacy worksheet on the pun as a literary device seems to me particularly useful if one is writing about literature, but may apply to other cultural forms as well–e.g. song lyrics and titles. This is a half-page document with a reading of four sentences and two comprehension questions.

A word about the reading: these sentences are long and complicated and may present significant challenges to struggling or emergent readers. I think you’ll see what I mean when you look at it. In fact, for the students I have historically served, this document is probably inappropriate; in the event that I wanted to teach kids about puns (and incidentally, here in New York City, I’ve never seen this done for the simple reason that knowledge of puns isn’t something that Regents Examinations test for; and yes, this is how idiotic this has become), I would probably significantly rewrite this is I were planning to administer it to struggling or emergent readers, or for students for whom English is a second language.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.