Monthly Archives: July 2021

The Weekly Text, 2 July 2021: A Lesson Plan on the Crime and Puzzlement Case “The Cider Booth”

This week’s text is a lesson plan on the Crime and Puzzlement case “The Cider Booth.” 

I open this lesson with this Cultural Literacy worksheet on dead languages. Incidentally, the short reading in this half-page document speaks specifically of Latin, ancient Greek, and Sanskrit. As a matter of routine in my classroom, I taught Greek and Latin word roots for vocabulary building. When one thinks about how often classical word roots turn up in English words, the idea under the circumstances that these languages are “dead” can make for interesting classroom discussions. Also, when one considers that Spanish, the first lingua franca of a wide swath of student I served over the years, is in some respect a modern version of Latin, the idea that the tongue of the Roman Empire is dead doesn’t quite make sense.

Anyway, to conduct your investigation into the case of “The Cider Booth,” you will need this PDF of the illustration and questions that both drive the investigation and serve as evidence in it. Finally, to identify a suspect and bring him or her to the bar of justice, here is the typescript of the answer key you will need.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Writing Process

“writing process: A particular approach to writing instruction that has become common in school systems and colleges during the past 25 years. There are many meanings of the phrase ‘writing process,’ but most refer to the concept that writing is part of the thinking process involving many different mental activities over a period of time. Effective instruction in writing teaches students how to generate, organize, and revise their writing, rather than focusing solely on written language structures.

In its early years of development, the process theory of writing instruction focused largely on individual expression and the facilitation of the development of a student’s ‘voice.’ This approach to the writing process was in many ways a reaction to traditional methods of writing instruction, which focused mainly on structural and mechanical elements such as grammar, punctuation, and following paragraph and essay models.

In the early 1980s, Linda Flower and John Hayes developed a theoretical model of writing as a thought process involving a number of different mental activities, including planning, generating, organizing, translating, reviewing, and editing. In their model, any given activity might interrupt any other one at any stage. The Flower/Hayes model continues to be useful, especially for understanding the writing problems of students with learning disabilities and attention disorder. However, the primary contemporary model emphasizes the ways in which writing is a social practice, and focuses on collaborative approaches to developing writing skills and producing written work.

In practical terms, effective writing instruction involves understanding that writing involves different activities of generating, organizing, drafting, and revising, and that incorporates collaborative activities in helping students develop a sense of voice, audience, and using writing as a communication tool.

A process approach to writing is particularly vital for students with learning disabilities, in that it enables them to take the different cognitive tasks involved in writing and spread them over a series of steps and periods of time. For example, a student with dyslexia may benefit from putting off any attention to editing and spelling until late in the process, instead focusing mainly on generating ideas and language first.

Likewise a student with attention deficit disorder may do better by taking out a highly specific approach to planning a paper and mapping out the steps that will be involved, using a checklist to monitor completion of each step.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

A Learning Support on Hyphenation

OK, moving along on this cool, rainy morning in Southwestern Vermont, here is a learning support on hyphenation. Like several others I have posted here recently, this text comes from Paul Brians’ book, which, amazingly, he has made available at no cost on the Washington State University website, Common Errors in English Usage.

As Professor Brians points out, for a full exposition on the rules for hyphenation in English prose one really must consult The Chicago Manual of Style or something like it. This document does supply as much about hyphenation as the high-school, and perhaps even the college, writer needs to know.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Will Rogers on the Advance of Civilization

“You can’t say civilization isn’t advancing; in every war they kill you in a new way.”

Will Rogers

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Cultural Literacy: The Burr-Hamilton Duel

Here is a Cultural Literacy worksheet on the duel between Aaron Burr and Alexander Hamilton in 1804. It is a key event in the early history of the United States; this half-page worksheet, with three questions, serves only as the briefest introduction to the event itself.

If you know only a little bit about this event, as I do, you know enough to understand that there is a professionally, politically and socially fraught backstory to it. Burr and Hamilton had been antagonizing each other for years, and the duel was in many respects the logical culmination of this conflict. I would think this affair would provide just the right kind of interesting challenge to an engaged and enterprising high school student preparing a research paper to satisfy requirements in the advanced grades.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Bait and Switch

“Bait and Switch (adjective): Describing or pertaining to advertising that offers a product insincerely, with the true intention being to sell another, more expensive or profitable product.

‘Ads that deceive or claims that can’t be backed are no-nos, and techniques such as “bait and switch” in which goods are offered to lure customers to buy higher-priced substitutes are also verboten.’ Bernice Kanner, New York Daily News”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Fraud (n)

Here is a context clues worksheet on the noun fraud. When I found this straggler in the warehouse, I wondered why I wouldn’t have composed a companion document on, at the very least, fraudulent, if not the transitive verb defraud.

As it happens, I did write one on the former, but not the latter. Given the state of society and culture, defraud is a word students ought to have in their vocabulary. So, if you’re interested, be on the lookout for one in these pages.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Thematic Maturity

“thematic maturity: The sophistication of writing. Plot development, sentence structure, and cohesion based on an individual’s age and grade are some elements that are considered in evaluating thematic maturity.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Common Errors in English Usage: Turn Into, Turn In To

Here is a worksheet on differentiating the use of turn into and turn in to. Like the other 100 or so of these I will post or already have posted, the text for this document is excerpted from Paul Brians’ handy usage guide, which he has posted online in its entirety–under this link–Common Errors in English Usage.

This is an area of usage that it will serve students very well, in life and work, to know. The worksheet is scaffolded, with five modified cloze exercises, then a blank field on which students may try their hands at extemporaneously writing sentences using these two verb phrases–or phrasal verbs, really.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Gothic Revival

“Gothic Revival: A picturesque style of architectural and decoration of the 19th century which incorporated adaptations of medieval gothic elements. In architecture, asymmetrical design, verticality, steeply pitched, gabled roofs, and much ornate tracery-derived ornament are seen.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.