Monthly Archives: January 2019

The Devil’s Dictionary: Cartesian

“Cartesian, adj. Relating to Descartes, a famous philosopher, author of the celebrated dictum Cogito ergo sum—whereby he was pleased to suppose he demonstrated the reality of human existence. The dictum might be improved, however, thus: Cogito cogito ergo cogito sum—’I think that I think, therefore I think that I am’; as close an approach to certainty as any philosopher has yet made.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.

Adjudicate (vt/vi)

Here is a context clues worksheet on the verb adjudicate, which is used both transitively, and intransitively. It seems like a word that could usefully find its way into the lexicons of teenagers–especially those already looking down the road at law school.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Porgy and Bess

“On what novel is George Gershwin’s opera Porgy and Bess (1935) based? It is based on Porgy (1925), by Du Bose Heyward. Heyward and his wife, Dorothy, won a Pulitzer prize for their dramatic version of the novel. Porgy is a crippled beggar who lives on Catfish Row in Charleston, South Carolina. Bess is his drug-addicted mistress.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Word Root Exercise: Idio-

To begin the week (which ends in the first Friday of Black History Month 2019), here is a worksheet on the Greek word root idio. It means peculiar, personal, and distinct. Think of the word idiosyncratic, a word loaded with other Greek roots (i.e. syn and crat).

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Reviews: Lolita by Vladimir Nabokov

“That a book like this could be written–published here–sold, presumably over the counters, leaves one questioning the ethical and moral standards…there is a place for the exploration of abnormalities that does not lie in the public domain. Any librarian surely will question this for anything but the closed shelves. Any bookseller should be very sure that he knows in advance that he is selling very literate pornography.”

Kirkus Reviews

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Myopic (adj)

While I’m not sure it’s a word high school students need to know, because it’s Merriam-Webster’s Word of the Day today, and I like a challenge here is a context clues worksheet on the adjective myopic. I found it difficult to create context whose contrast would clearly define the second meaning of this adjective, in the sense of “lacking in foresight or discernment : narrow in perspective and without concern for broader implications.” Maybe that’s because it’s Friday, and my pea brain hurts.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Parable

An illustrative moral or religious story, usually brief and with generalized, simple characters and universal human application; telling or cautionary account.

‘I have never read a story better than Endurance, Alfred Lansing’s account of the Shackleton expedition to Antarctica; but no one considers it literature. If Mailer had written it, might we not read the same text as a parable or something or other.’”

Annie Dillard, Living by Fiction

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

The Weekly Text, January 25, 2019: A Lesson Plan on Migration as the Cause of History

Next Friday marks the beginning of Black History Month 2019. This year’s theme is Black Migrations; that link will take you to a page where you’ll find a printable PDF that would serve nicely as classroom door banner. People of African descent everywhere have been the subjects of voluntary migration and the objects of involuntary migration. In the United States, after Americans of African descent endured the horror and infamy of their forced migration into chattel slavery, they once again migrated from the southern states in what historians have dubbed The Great Migration.

Most Americans, alas, lack understanding of the ways in which The Great Migration changed–for the better, inarguably, in my not at all humble opinion–this country. I’ve always thought the most succinct reference to the changes to this country wrought by The Great Migration was uttered by the old bluesman, played by the great Joe Seneca, in Walter Hill’s 1986 film Crossroads. The Julliard student and aspiring blues guitarist played by Ralph Macchio is fixated on the music of Robert Johnson, and he wants Joe Seneca’s character, Willie Brown–whose name is called out in Johnson’s song “Crossroads,” to teach him a long-lost song of Johnson’s he believes Brown possesses. Macchio’s character, Eugene Martone, is fixated on Delta Blues, which he plays on an acoustic guitar. In exasperation, as the two of them prepare to play live, Brown tells Martone (I paraphrase, but closely, I am confident), “Muddy Waters invented electricity” as he takes the young man to a music shop to trade in his acoustic guitar for an electric.

The comment is freighted with numerous implications, not the least of which is that Muddy Waters and others like him (e.g. Howlin’ Wolf and John Lee Hooker) added numerous genres to the spectrum of American music. If you know anything about the blues, you know that without it there would be no rock and roll. In fact, whole genres of music in the United States would not exist without the influence of Americans of African descent.

Anyway, this week’s Text is a lesson plan on migration as a cause of history. I begin this lesson, when I teach it, with this context clues worksheet on the noun nomad. Finally here is the (very) short reading and comprehension worksheet that I’ve used in this lesson. This lesson, incidentally, is part of a unit I wrote to help students develop their own understanding of some basic concepts in historical study. I named the unit after a introduction to liberal studies course called “Causes of History” I heard students complaining about at Amherst College when I took Russian language classes there. I still remember what the students in my Russian class called it: “Causes of Misery.”

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Power of 100

“A hundred is a ubiquitous element of power and finance. If ancient Greek gods were angered the could be appeased with the bloodbath of hetacomb—the sacrifice of 100 oxen. A hundred was also long considered the largest group able to be governed by the command of one man. So there were 100 soldiers under the command of a Roman centurion; 100 slave-soldiers under the command of a mameluke emir; and, following the Roman model, there were 100 senators (two for each of the fifty states) in the US Senate. More prosaically, 100 units comprise all the major currencies of the world—be the yuan, yen, dollars, euros, rials, rupees, dinars, or pounds.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

A Learning Support on Latinisms and Latin Abbreviations

Here is a learning support on Latinisms and Latin abbreviations which I was convinced I’d previously posted. However, a search of my media folder locates nothing on this area of usage, so here it debuts, I guess. These are words and phrases that turn up in a variety of settings in expository prose.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.