Tag Archives: term of art

Term of Art: Ability Grouping

“ability grouping: The practice of assigning students to classes on the basis of their past achievement or presumed ability to learn. In schools that use ability grouping, low-performing students will be in one class, hig-performing students in another, and average-performing students in yet another. This grouping by ability is called homogenous grouping, whereas the practice of mixing students of different abilities in the same class is called heterogenous grouping. Some schools group students by ability in certain subjects, like mathematics, but not in others, like social studies or English. Researchers disagree about whether ability grouping is beneficial. Advocates say that a certain amount of grouping is not only inevitable but also better for students, Many teachers find it daunting to teach classes with a wide range of ability because they must worry about boring students at the high end or ability while moving too rapidly for students at the other extreme. Critics of ability grouping contend that those placed in lower tracks encounter low expectations and are not sufficiently challenged. They also say that in most subject areas, students with lower or higher skills have much to learn from one another.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Semantic (adj)

If you’re interested in teaching your students terms of art that represent concepts in learning, then this context clues worksheet on the adjective semantic might be useful. You could also use this document as a template for a context clues worksheet on the noun semantics. Either way, these words represent a concept–the use of language to create meaning–that students probably ought to know before they graduate high school.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Affective Fallacy

“affective fallacy: A critical term denoting the confusion between what a literary work is and what it does. That is, a work should be judged solely on its literary components, not by its emotional (or affective) impact on the reader. It was first identified as a critical ‘error’ by Monroe Beardsley and W.K. Wimsatt in The Verbal Icon (1954). It is related to intentional fallacy, in which a work is judged according to what the author presumably intended to say or in relation to the author’s biography.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Code Mixing

“code mixing: Sometimes distinguished, though not always in the same way, from code switching. E.g. where a speaker switches as frequent intervals from one language etc. to another, for no discoverable external reason.”

Excerpted from: Marshall, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

A Learning Support on Poetry Terms

This short learning support on poetry terms is the last of the English Language Arts learning supports I have to publish for the time being. I expect, as I continue to teach, I’ll develop more of them. Maybe you can use this cogent explanation of basic terms of art in poetry.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Homophone

“homophone (noun): Words having the same pronunciation but not the same origin, spelling or meaning, e.g., ‘peace’ and ‘piece.’ Adjective: homophonic, homophonous; adverb: homophonically; noun: homophony.

‘The coat of arms of the Shakespeare family, which shows its crest eagle shaking a spear, is a kind of pun weakened by etymology, but when Joyce calls Shakespeare—very justly—”Shapesphere” he has gone step further than homophony or homonymy. By changing two consonants he has interfered minimally with the shape of the name and enormously expanded its connotation.’ Anthony Burgess, Joysprick‘”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Metacognition

“metacognition: Knowledge and beliefs about one’s own cognitive processes, an important class of metacognition being metamemory, The term is also sometimes applied to regulation of cognitive functions, including planning, checking, or monitoring, as when one plans one’s cognitive strategy for memorizing something, checks one’s accuracy when performing mental arithmetic, or monitors one’s comprehension while reading, and these forms of metacognition are called metacognitive regulation in contradistinction to metacognitive knowledge. Writings on metacognition can be traced back at least as far as De Anima and the Parva Naturalia of the Greek philosopher Aristotle (384-322 BC), and the phenomenon was brought to prominence during the 1970s largely by the US psychologist John H. Flavell (born 1928), who focused attention on developmental aspects of metacognition. In an influential article in the journal Psychological Review in 1977, the US psychologists Richard E. Nisbett (born 1941) and Timothy D. Wilson (born 1951) summarized a range of evidence suggesting that people are often unaware of the factors influencing their own choices, evaluations, and behavior, and that the verbal reports that they give when questioned are often quite erroneous and misleading.”

[From Greek meta beside or beyond + English cognition]

Excerpted from: Colman, Andrew M., ed. Oxford Dictionary of Psychology. New York: Oxford University Press, 2003.

Term of Art: Attention

“attention: The focus of consciousness on something in the environment, or on a sensation or an idea. Attention includes a number of elements that are essential to all activities, including

  • arousal: being ready to receive stimuli
  • vigilance: being able to select stimuli from those presented over a broad period of times
  • persistence or continuity: being able to sustain a mental effort and select stimuli that are presented often
  • monitoring: checking for and correcting errors

The length of time in which a child can pay attention to something (the attention span) increases with age, interest, and intelligence level.

Breakdowns in these different elements can cause a variety of problems. A breakdown in vigilance, for example, might cause someone to select or focus on the wrong details. A breakdown in monitoring might lead to repeated careless errors. Persistence or continuity is necessary for a complex task to be completed.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Annotation

“Annotation (noun): An explanatory of critical note accompanying a text; gloss; authorial or scholarly comment. Adj. annotative, annotatory; n. annotator; v. annotate

‘What do you expect me to do? Go into a monastery? Or spend the rest of my life keeping up with your precious cult—editing and annotating and explaining you, until people get sick of the sound of your name?’ Christopher Isherwood, The World in the Evening”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Analogue

“Analogue: A word or thing similar or parallel to another. As a literary term it denotes a story for which one can find parallel examples in other languages and literatures. A well-known example is Chaucer’s The Pardoner’s Tale, whose basic plot and theme were widely distributed in Europe in the Middle Ages. The tale is probably of oriental origin and a primitive version exists in a 3rd century Buddhist text known as the Jatakas; but the version usually taken to be the closest analogue to Chaucer’s tale is in the Italian Libro di Novelle e di Bel Parlar Gentile (1572) which is nearly two hundred years later than Chaucer’s story.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.