Tag Archives: readings/research

Praxis

“Praxis: The Greek word meaning ‘doing’ is widely used for all purposeful human activity. In his later, Marxist-influenced work, Sartre, for instance, defines praxis as political action in the world, or as the practical transformation of the world in accordance with a desired end or formality (1960). Praxis is a specifically human activity; the dam-building of a beaver is not praxis because it is an instinctual and unchanging response to a natural environment, and because it implies neither the mastery of existing technology nor the development of new technical means. Beavers will always build dams in the same manner; human engineers will develop new ways of doing so. Although praxis is determined by a finality of goal, its outcome is not always predictable, and it may be reversed into a counter-finality that frustrates the original intention. The outcome or material development of praxis is referred to as the ‘practico-inert’; the relationship between the two is not dissimilar to that between the in-itself and the for-itself.

In his Prison Notebooks, Gramsci (1971) uses the term “philosophy of praxis” as a synonym for Marxism.

Excerpted from: Macey, David. The Penguin Dictionary of Critical Theory. New York: Penguin, 2001.

The Weekly Text, 31 October 2025: A Reading and Comprehension Worksheet on the Nuclear Bomb

Happy Halloween! For this week’s Text, about the scariest thing I could find is this reading on the nuclear bomb along with its accompanying vocabulary-building and comprehension worksheet. And if you really want to scare kids who are old enough to understand, you can enumerate the number of unstable and belligerent countries that possess this fearsome weapon.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 24 October 2025: Two Worksheets on Agriculture and Crop Rotation Based on “The Writing Revolution” Methods

As regular readers of this blog may know, I have been trying for a number of years to develop a set of materials, particularly for my social studies classes (which I am no longer teaching at the moment), based on the methods articulated by Judith C. Hochman and Natalie Wexler in The Writing Revolution (San Francisco: Jossey-Bass, 2017). Even though I have never had a chance to actually teach writing (which was done directly in none of the schools in which I have served in New York City; teachers assign writing work, but don’t really teach students how to write), I have been interested in doing so since I began my career 22 years ago. Now that I am about to retire, I see that I will probably never teach writing, and I probably won’t further develop my store of materials based on The Writing Revolution.

I’ve read enough about curriculum and curriculum design to know that I don’t care much for curricula that aren’t at once scaffolded and flexible. Most are not. But The Writing Revolution is the best thing of its kind I’ve encountered; I knew the first time I read the book that I would want to develop a curriculum based on its methods. It is scaffolded and flexible.

Two years ago, I was finally able to focus on working on these materials. It’s a lot of stuff, and I stipulate that it is uneven at best. Nonetheless–and I think now is a good time to remind users of this blog that most of what you’ll find here is set in Microsoft Word, therefore it is highly convertible and manipulable–I think some of this stuff is worth putting out there. I should also mention that I created a plethora of templates and supports–mostly typed verbatim from the book itself–for developing curricular materials consistent with The Writing Revolution’s prescribed methods.

At the time I began work on this stuff, sometime late in 2018, I thought it might me most useful for my freshman global studies class. This was for a number of reasons, the most salient among them that the New York State Regents Exam in Global Studies was notoriously challenging, and that the student population I served, everyone in my school at the time knew, really struggled with that particular test. But I also wanted to get students writing on their own, and to use language in ways that they otherwise wouldn’t–one of the principal strengths of The Writing Revolution in my opinion.

For global studies, I conceived of strands of work that followed a conceptual and factual arc across a relatively short, but dense and mildly challenging, series of documents. So, without further ado (and with apologies for the ado thus proffered), I offer the documents for Strand Three. This strand would concern agriculture and the earliest cities, but so far, as the lesson plan for Strand Three will show you, I only managed to pull together worksheets on agriculture and crop rotation. These are “developing questions” worksheets: they call upon students to read short passages of text, then develop a question or questions based on what they’ve read. The teachers copy of the agriculture as well as for the worksheet on crop rotation should help make the purpose of this work, and its methods, clearer.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Jorge Amado

“Jorge Amado: (1912-2001) Brazilian novelist. Born and reared on a cacao plantation, he published his first novel at 20. His early works, including The Violent Land (1942), explore the exploitation of suffering of plantation workers. Despite imprisonment and exile for leftist activities, he continued to produce novels, many of which have been banned in Brazil and Portugal. Later works such as Gabriela, Clove and Cinnamon (1958), Dona Flor and her Two Husbands (1966), and The War of the Saints (1993) preserve Amado’s political attitude in their more subtle satire.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Octavio Paz

“Octavio Paz: (1914-1998) Mexican poet, writer, and diplomat. Educated at the University of Mexico, Paz published his first book of poetry, Luna Silvestre (“Savage Moon”) in 1933. He later founded and edited several important literary reviews. Influenced in turn by Marxism, surrealism, existentialism, Buddhism, and Hinduism, his poetry uses rich imagery in dealing with metaphysical questions, and his most prominent theme is the human ability to overcome existential solitude through erotic love and artistic creativity. His prose works include The Labyrinth of Solitude (1950), an influential essay on Mexican history and culture. He was Mexico’s ambassador to India 1962-68. He was awarded the Nobel Prize in 1990.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Pancho Villa

“Pancho Villa originally Doroteo Arango (1878-1923) Mexican guerilla leader. Orphaned at a young age, he spent his adolescence as a fugitive, having murdered a landowner in revenge for an assault on his sister. An advocate of radical land reform, he joined  Francisco Madero’s uprising against Porfirio Diaz. His Division del Norte joined forces with Venustiano Carranza to overthrow Victoriano Huerta and in 1914 was forced to leave with Emiliano Zapata. In 1916, to demonstrate the Carranza did not control the north, he raided a town in New Mexico. A U.S. force led by General John Pershing was sent against him, but his popularity and knowledge of his home territory made him impossible to capture. He was granted a pardon after Carranza’s overthrow (1920) but was assassinated three years later. See also Mexican Revolution, Alvaro Obregon.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Cesar Davila Andrade

“Cesar Davila Andrade: (1918-1967) Ecuadorian poet, short-story writer, and essayist. Davila Andrade published eight books of verse and two collections of short stories before committing suicide in a hotel in Caracas, Venezuela, a victim of prolonged depressions and alcoholism. While his work is known mainly in Ecuador and Venezuela, he was most often compared to Neruda and Vallejo. Of most influence as a poet, he carried certain key obsessions—evil in the form of sickness, passion, or death; sex as annihilation, and love as the absolute ideal—through several poetic incarnations. He began in the tradition of love poetry, as seen in Cancion a Teresita (1946). The second phase, which includes Arco de instantes (1959) and Boletin y elegia de las Mitas (1967), is dedicated to poetic experimentation and the geography and people of his American continent. The final period is complex, personal, and hermetic, best characterized by Conexiones de tierra (1964), which often voices his views of life, literature, and aesthetics. A lover of both the mystical and prosaic, he perhaps never managed a successful reconciliation of these twin currents in either his poetry or his life.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Jose (Benjamin) Quintero

“Jose (Benjamin) Quintero: (1924-1999 U.S. (Panamanian-born) theatrical director. After studying theater at USC, he directed his first play in 1949. He was a founder of the Broadway theater Circle in the Square, where he directed regularly from 1950, establishing the house as a major center for serious theater. His direction of Tennessee Williams’s Summer and Smoke (1952) confirmed his reputation and made a star of Geraldine Page. He was best known for his productions of 20th-century plays, especially those of Williams and Eugene O’Neill, including The Iceman Cometh (1956), Long Day’s Journey Into Night (1956), and A Moon for the Misbegotten (1973, Tony Award).”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, 3 October 2025: A Reading and Comprehension Worksheet on Nineteenth-Century Nationalism

For the penultimate Friday of Hispanic Heritage Month 2025 (for which, as I wrote in the first post of this month, I have, embarrassingly, nothing substantial to publish as a Weekly Text), this week’s Text is this reading on nineteenth-century nationalism along with its attendant vocabulary-building and comprehension worksheet.

The reading, along with many others on this blog, comes from the Intellectual Devotional series; I prepared the worksheet. Along with virtually every other document posted here, both of these are formatted in Microsoft Word, so they can be manipulated and adjusted to your classroom’s needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Alvaro Obregon

“Alvaro Obregon: (1880-1928) President of Mexico (1920-24). A skillful military leader who fought for the moderate presidents Francisco Madero and Venustiano Carranza during the Mexican Revolution, he was largely responsible for the liberal constitution of 1917. In response to Carranza’s increasingly reactionary policies, Obregon took a leading role in the revolt that deposed him, and was elected president in 1920. He managed to impose relative peace and prosperity but was shot and killed before assuming office.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.