Tag Archives: questioning/inquiry

The Weekly Text, 24 October 2025: Two Worksheets on Agriculture and Crop Rotation Based on “The Writing Revolution” Methods

As regular readers of this blog may know, I have been trying for a number of years to develop a set of materials, particularly for my social studies classes (which I am no longer teaching at the moment), based on the methods articulated by Judith C. Hochman and Natalie Wexler in The Writing Revolution (San Francisco: Jossey-Bass, 2017). Even though I have never had a chance to actually teach writing (which was done directly in none of the schools in which I have served in New York City; teachers assign writing work, but don’t really teach students how to write), I have been interested in doing so since I began my career 22 years ago. Now that I am about to retire, I see that I will probably never teach writing, and I probably won’t further develop my store of materials based on The Writing Revolution.

I’ve read enough about curriculum and curriculum design to know that I don’t care much for curricula that aren’t at once scaffolded and flexible. Most are not. But The Writing Revolution is the best thing of its kind I’ve encountered; I knew the first time I read the book that I would want to develop a curriculum based on its methods. It is scaffolded and flexible.

Two years ago, I was finally able to focus on working on these materials. It’s a lot of stuff, and I stipulate that it is uneven at best. Nonetheless–and I think now is a good time to remind users of this blog that most of what you’ll find here is set in Microsoft Word, therefore it is highly convertible and manipulable–I think some of this stuff is worth putting out there. I should also mention that I created a plethora of templates and supports–mostly typed verbatim from the book itself–for developing curricular materials consistent with The Writing Revolution’s prescribed methods.

At the time I began work on this stuff, sometime late in 2018, I thought it might me most useful for my freshman global studies class. This was for a number of reasons, the most salient among them that the New York State Regents Exam in Global Studies was notoriously challenging, and that the student population I served, everyone in my school at the time knew, really struggled with that particular test. But I also wanted to get students writing on their own, and to use language in ways that they otherwise wouldn’t–one of the principal strengths of The Writing Revolution in my opinion.

For global studies, I conceived of strands of work that followed a conceptual and factual arc across a relatively short, but dense and mildly challenging, series of documents. So, without further ado (and with apologies for the ado thus proffered), I offer the documents for Strand Three. This strand would concern agriculture and the earliest cities, but so far, as the lesson plan for Strand Three will show you, I only managed to pull together worksheets on agriculture and crop rotation. These are “developing questions” worksheets: they call upon students to read short passages of text, then develop a question or questions based on what they’ve read. The teachers copy of the agriculture as well as for the worksheet on crop rotation should help make the purpose of this work, and its methods, clearer.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Gustavo Alvarez Gardeazabal

“Gustavo Alvarez Gardeazabal: (1945-) Colombian writer and political figure. Growing up during La Violencia, the civil strife that took over 300,000 lives between 1946 and 1959, he developed a black sense of humor. His early novel, Condores no entierran todos los dias (1971) is the riveting story of a conservative who becomes a death squad leader. El bazar de los idiotas (1974; tr. Bazaar of the Idiots, 1991), a vicious satire on intolerance and religious gullibility, is one of Colombia’s most read novels. Pepe Botellas (1984) is a hilarious political fable about a Cuban exile who tries to become President of Colombia. Alvarez Gardeazabal’s recent fiction has dealt with the corrosive effects of the drug trade on Colombian society.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Octavio Paz

“Octavio Paz: (1914-1998) Mexican poet, writer, and diplomat. Educated at the University of Mexico, Paz published his first book of poetry, Luna Silvestre (“Savage Moon”) in 1933. He later founded and edited several important literary reviews. Influenced in turn by Marxism, surrealism, existentialism, Buddhism, and Hinduism, his poetry uses rich imagery in dealing with metaphysical questions, and his most prominent theme is the human ability to overcome existential solitude through erotic love and artistic creativity. His prose works include The Labyrinth of Solitude (1950), an influential essay on Mexican history and culture. He was Mexico’s ambassador to India 1962-68. He was awarded the Nobel Prize in 1990.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Authoritarianism

“authoritarianism: A style of government in which the rulers demand unquestioning obedience from the ruled. Traditionally, ‘authoritarians’ have argued for a high degree of determination by governments of belief and behavior and correspondingly smaller significance for individual choice. But it is possible to be authoritarian in some spheres while being more liberal in others. Frederick the Great is alleged to have said, ‘I have an agreement with my people: they can say what they like and I can do what I like.’

Authoritarianism has become simply a ‘boo’ word, referring to overweening and intolerant government irrespective of the justification, or lack of it, of such practices. Thus is often means exactly the same as despotism, an older word. A number of American political scientists in the Cold War period distinguished between ‘authoritarian‘ and ‘totalitarian‘ governments. The former (mainly military regimes) had two advantages over the latter: they did not last as long and though they would repress their political opponents as brutally as any known regimes, they left a larger sphere for private life. (Totalitarian regimes were, in this context, invariably communist.) Thus, where conditions were not yet ripe for democracy, there were relative advantages to authoritarianism.”

Excerpted from: McLean, Iain, and Alistair McMillan, editors. Oxford Concise Dictionary of Politics. New York: Oxford University Press, 2003.

The Weekly Text, 18 July 2025: Lesson Four of a Unit on Writing Reviews

This week’s Text, as headlined above, is the fourth lesson plan of seven lessons and planning materials, for a total of eight consecutive Weekly Texts. This is a lesson on aesthetics and establishing aesthetic criteria for preparing reviews. So, unsurprisingly, the do-now exercise for this lesson is this Cultural worksheet on aesthetics. This is a half-page worksheet with a reading of two sentences (the second one of which is a longish compound that might best be turned into two sentences for emerging readings and users of English as a second language) and three comprehension questions. It is a short but effective introduction to the concept of aesthetics.

This reading as worksheet is basically a summary of the procedures outlined in the lesson plan. This graphic organizer blank in landscape layout helps students organize their aesthetic criteria for reviews; you might find the teacher’s copy of same useful. Finally, here are six glossaries of aesthetic terms for movies, music, video games, books, graphic novels, and television shows.

And that’s it for another week. I hope you’re enjoying the summer.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Mural

“Mural: A large painting or decoration applied directly on a wall surface or completed separately and later affixed to it. Early Italian Renaissance examples include church frescoes, while in this century Expressionist and Social Realist murals have been commissioned for public buildings in postrevolutionary Mexico.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Weekly Text, 4 July 2025: Lesson Two of the Writing Reviews Unit

The second lesson plan of the Writing Reviews Unit is about argumentation, which any review will need to do well to convince its readers. In fact, when I first began working on these materials in 2006 or so, I conceived them as an introduction to the kind of academic writing kids really need to know how to do before they graduate high school.

So this scaffolded worksheet seeks to assist students in developing their own understanding of the difference between a quarrel and an argument in order to clarify the rhetorical and epistemological purpose of an argument. You might find the the teacher’s copy of the worksheet useful.

This lesson opens with this Cultural Literacy worksheet on the concept of to damn with faint praise, the use of which in a review I will take as a given.

Happy Fourth of July! I bid you a restful day and evening.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 27 June 2025: Lesson One of a Unit on Writing Reviews

OK, moving right along with this Writing Reviews unit, here is the first lesson plan, which aims to introduce students to the concept of the review. The do-now exercise for this lesson is this Cultural Literacy worksheet on the idiom having an axe to grind. I think any reviewer has by definition an ax to grind, hence this document. Finally, here is the structured analytical worksheet on the concept of reviews that is the mainstay of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Honus Wagner

[Over the past few years, I have developed an interest in baseball. I remain a neophyte in my understanding of the game–this summer I bought a copy of The Dickson Baseball Dictionary by Paul Dixon so I could better build my knowledge of what the players, particularly pitchers, are actually doing. This post, however, arrives because of my long interest in the T206 Honus Wagner Baseball Card, which I think I can safely analogize as: What the Bay Psalm Book is to bibliophiles, the T206 Honus Wagner card is to collectors of sports memorabilia.]

“Honus Wagner (originally John Peter): (1841-1918) U.S. baseball player. Born in Mansfield (now Carnegie), Pennsylvania, he played principally for the Pittsburgh Pirates (1900-1917), and coached the team from 1933 to 1951. The right-handed hitter led to the National League in batting in eight seasons (1900, 1903=4, 1906-9, 1911) and in stolen bases five seasons. His total of 252 three-base hits remains a National League record. Nicknamed ‘the Flying Dutchman’ for his speed. Wagner is considered one of the greatest shortstops and all-around players in baseball history.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, 17 January 2025: A Reading and Comprehension Worksheet on Sears Roebuck

The Weekly Text for 17 January 2025 from Mark’s Text Terminal is this reading on Sears Roebuck along with its accompanying vocabulary-building and comprehension worksheet.

Why? Because I have it, for one thing. But for people of a certain age in the country (that is, my age or older) remember that Sears, along with JC Penney, were in the retail firmament the rough equivalent of Amazon today. There was no Internet, so that comparison breaks down; but both retailers issued mail-order catalogues that arrived, at least in my household, fairly regularly throughout the year. The Sears Catalog, which began offering full lines of hard goods, began publication in 1893. By 1908, Sears actually offered home kits in its catalog–among the sewing machines, sporting goods, musical instruments, saddles, firearms, buggies, bicycles, baby carriages, and some clothing (all introduced in 1894), and Edison’s Graphophone (introduced in 1908). Growing up, all my school clothes came from Sears (there was a store at the corner of Ingersoll Street and East Washington Avenue, if memory serves, in my hometown of Madison, Wisconsin, where the city, last I knew, has its bus barn). The company’s Craftsman tool line (now owned by Stanley Black & Decker) was among the best available–and guaranteed for life. I owned quite a few of them, as did my uncle, who owned an auto parts store and was a freelance small aircraft designer and builder.

Sears filed for Chapter 11 bankruptcy on 15 October 2019. According to the Wikipedia page on the retailer, as of April 2024 there are 11 Sears stores–ten in the continental United States and one in Puerto Rico–remaining. Near where I now live, in Flatbush, Brooklyn, there is a remnant store–an art deco beauty–at the corner of Beverly Road and Flatbush Avenue; the building is empty, but New York City landmarked it in 2012, so it is protected.

So you can see that Sears Roebuck was an important part of the American retail landscape for a long time.

There is something to be learned about business cycles, branding, management, retail trends–and potentially a whole host of other topics in business education. There has been no small amount of ink spilled on what led to Sears’ downfall; just search “Why Sears went out of business.”

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.