Tag Archives: professional development

Problem of Induction

“problem of induction: Problem of justifying the inference from the characteristics of observed instances of a general concept to unobserved instances of the same concept. For example, if all emeralds I have ever seen have been green, what entitles me to draw the inference that all emeralds are green, given that my past observations do not strictly entail (or deductively imply) that are emeralds are green? May we infer that the characteristics of a sample taken from a population are characteristics of the entire population? A quality-control engineer who looks at a sample of 100 lightbulbs produced by a particular manufacturing process and finds that five are defective may conclude that 5% of all bulbs that  have been and will be produced by the process are defective. For the engineers inference to be justified, two criteria that must be met are (1) that the sample be random (i.e. every subset of 100 bulbs has an equal chance of being selected for the examination), and (2) that the sample be sufficiently large (in a mathematically precise sense). See also statistics.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Aside

“Aside (noun):  An utterance in theatrical dialogue directed to the audience, but supposedly not heard by other actors in their roles; words spoken in low tones or confidentially; passing, private, or covert comment; personal digression.

‘Mr. Wilson somehow packs his play with comic asides that cover phenomena as varied as Eskimos, U.F.O.s, Betty Grable, botany, Columbia Records, and Karl Marx.’ Frank Rich, The New York Times”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Theme

“Theme: Properly speaking, the theme of a work is not its subject but rather its central idea which may be stated directly or indirectly. For example, the theme of Othello is jealousy. See LEITMOTIF; MOTIF.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Book of Answers: Sam Spade’s Partner

“What was the name of Sam Spade’s partner in Dashiell Hammett’s (1930) The Maltese Falcon? Miles Archer. He was killed early in the novel by Brigid O’Shaughnessey.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Thesis

“Thesis: Three meanings may be distinguished: a. a long essay or treatise presented for a degree; b. a proposition to be proved; c. the unstressed syllable of a metrical foot (e.g. thesis itself is a trochaic word on which the second syllable is unstressed).”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Bessie Smith

“Bessie Smith: (originally Elizabeth) U.S. blues and jazz singer, one of the most distinctive stylists of classic blues and the most successful black entertainer of her time. Born in Chattanooga, Tennessee, Smith sang popular songs as well as blues on the minstrel and vaudeville stage. She began recording in 1923 and appeared in the 1929 film St. Louis Blues. Her interpretations represent the fully realized tradition of the rural folk tradition of the blues to its urbane structure and expressiveness. A bold, supremely confident artist with a powerful voice and precise diction, she became known as ‘Empress of the Blues.’ She died from injuries sustained in a car crash, having apparently been refused treatment for reasons of racial prejudice.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Rhetorical Irony

“Rhetorical Irony: A form of irony in which the attitude and tone of the speker or writer is the exact opposite of what is expressed. Such irony is common in the work of Swift, Voltaire, Samuel (Erewhon) Butler, and Antatole France.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Linear

“Linear: Stylistic term used to describe a work of art in which contour, rather than masses of colors and tones, is the primary means of compositional definition. Compare painterly.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Rotten Reviews: Doris Grumbach on Mary McCarthy

“On television I see Mary McCarthy taking about her Vassar friend, the poet Elizabeth Bishop. I notice Mary’s instant icy smile, so often present when I interviewed her in Paris in 1966 for a book. George Grosz saw the same smile on Lenin’s face. ‘It doesn’t mean a smile,’ he said. I am fascinated by it. It represents, I think, an unsuccessful attempt to soften a harsh, bluntly stated judgement. Last summer, twenty-two years after the book I wrote about her, which she so disliked, appeared, I encountered Mary for the first time in an outdoor market in Blue Hill.

 ‘Hello Mary,’ I said. ‘Do you remember me?’

 Her smile flashed and then, like a worn-out bulb, disappeared instantly.

 ‘Unfortunately,’ she said.

 It didn’t mean a smile.”

 Doris Grumbach

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

The Thin Man

The Thin Man: A comedy-mystery film (1934), starring William Powell and Myrna Loy as the ever-bantering and happily tippling husband-and-wife team Nick and Nora Charles, who, with the aid of their wire-haired terrier Asta, investigate the disappearance of the tall, eccentric inventor Clyde Wynant (Edward Ellis), who is the ‘Thin Man’ of the title. The screenwriters Albert Hackett and Frances Goodrich based their sparkling script on the novel The Thin Man (1932) by Dashiell Hammett (1894-1961), who is said to have based the wisecracking and mutual teasing of Nick and Nora on his own relationship with the playwright Lillian Hellman (1905-84). There were several more Thin Man films, generally less successful than the first.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.