Tag Archives: professional development

Term of Art: Particle

“A word that does not change its form through inflection and does not fit easily into the established system of the parts of speech. Among individual words commonly so classed are the negative particle not (and its contraction n’t), the infinitive particle to (to goto run), the imperative particles dodon’t (Do tell meDon’t tell me) and letlet’s (Let me see now; Let’s go). There is also a set of adverbial and prepositional particles that combine with verbs to form phrasal verbs (out in look outup in turn up) and prepositional verbs (at in get at; for in care for). The term pragmatic particle is sometimes used for words that play a role in maintaining discourse and are also known as fillers and discourse markers: ohahwell, yesnoactuallyanyway.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Socialization

“Socialization is the process by which we learn to become members of society, both by internalizing the norms and values of society, and also by learning to perform our social roles (as worker, friend, citizen, and so forth).

There is an ongoing dispute about the relative importance of nature versus nurture (or hereditary and environment) in human development. A related debate concerns the extent to which humans are over-socialized. Are humans ruled by their social manners and role-playing skills to the extent that basic human instincts are eradicated? This debate pits the psychological perspective of Freud, which views socialization as working against our natural inclinations and drives, against the functionalist perspective that sees socialization as essential for the integration of society. Recent studies have focused on social class differences in socialization, some of which have to do with language (see B. BernsteinClass, Codes, and Control, 1971), others . of which are more concerned with differences in value orientation (see M. KohnClass and Conformity1969).

Socialization is no longer regarded as the exclusive preserve of childhood, with the primary agents being the family and school. It is now recognized that socialization continues throughout the life-course. It is also recognized that socialization is not simply a one-way process, in which individuals learn how to fit into society, since people may also redefine their social roles and obligations. Any understanding of socialization must therefore take account of how the process relates to social change. In this sense, some schools of sociological theory imply an allegedly ‘over-socialized conception of man in society,’ in that they overstate the extent to which values are internalized and action is normative in orientation–a charge often leveled, for example, against normative functionalism (See D. Wrong, ‘The Oversocialized Conception of Man,’ American Sociological Review1961).”

Excerpted from: Matthews, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Antecedent

“1. The words in a text, usually a noun phrase, to which a pronoun or other grammatical unit refers back. Cook is the antecedent of him in: ‘In 1772. Cook began his second voyage, which took him further south than he had ever been.’ Similarly, his second voyage is the antecedent of which. With impersonal itthisthatwhich, the antecedent may be a whole clause or paragraph, as in: ‘Might not the coast of New South Wales provide and armed haven? To some people this looked good on paper, but there is no hard evidence that it did so to William Pitt or his ministers.’ Despite the implications of the name, an antecedent can follow rather than precede: ‘For his first Pacific voyage, Cook had no chronometer.’ 2. In logic, the conditional element in a proposition. In If they did that, they deserve our respect, the antecedent is they did that.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Demonstrative

“Demonstrative: A term used in association with pronouns and determiners as an adjective and a noun: a demonstrative pronoun; three demonstratives in one sentence. A demonstrative usage indicates relationships and locations, such as between this (near the speaker and perhaps the listener) and that (not near the speaker, perhaps near the listener, or not near either).”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Metonymy

“A figure of speech which designates something by the name of something associated with it: the Crown substituting for monarchy, the stage for the theater, No. 10 Downing Street for the British Prime Minister, the White House for the US president. A word used metonymically (crown, as above) is a metonym. Metonymy is closely related to and sometimes hard to distinguish from metaphor. It has sometimes been seen as a kind of synecdoche and sometimes as containing synecdoche. Both metaphor and metonymy express association, metaphor through comparison, metonymy through contiguity and possession. Many standard items of vocabulary are metonymic. A red-letter day is important, like the feast days marked in red on church calendars. The work redcap (a porter) originally referred to a piece of red flannel tied for visibility around the caps of baggage carriers at New York’s Grand Central Station. On the level of slang, a redneck is a stereotypical member of the white rural working class in the Southern US, originally a reference to necks sunburned from working in the fields.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Zero

“The mathematical sages of India conceived of this concept, and started on the path of the creation of zero back in the ninth century BC. The root of the word is in the Sanskrit Shoonya, meaning ‘it is a void’, which got passed on to the Arabs, who knew the symbol as ‘Safira.’

The Western world came to the concept extraordinarily late, when Venetian merchants stumbled across it and brought it back to their homeland, where it was known as ‘zefiro‘–later corrupted to ‘zero.’ The concept gradually spread through Europe, reading such far-flung outposts as the British Isles in the late sixteenth century.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

The “Homework Gap” and the Flipped Classroom–Redux

Here’s something I just cannot let pass.

Last year about this time, I published this blog post on the pedagogical fad of the “flipped classroom.” I criticized the method on a number of grounds, which made me no friends among my colleagues pushing this bad idea.

So, I am not at all surprised to find in Google headlines this morning this report on the homework gap and its relation to students’ struggle in school. The culprit?  Why it is none other than the absence of a reliable internet connection. My reaction? Roll “Theme from ‘The Vindicators'” by The Fleshtones.

Term of Art: Explicit Grammar Instruction

“Instruction in the descriptive terminology and and prescriptive rules of a given language, including syntax and the function of different parts of speech.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Term of Art: Verb Phrase

1. Also verbal phrase. In traditional grammar, a term for the main verb and any auxiliary or combination of auxiliaries that precedes it: can spell; may have cried; should be paid; might have been transferred2. In generative grammar, a term roughly equivalent to the traditional predicate. It includes the traditional verb phrase with (at least) any complements of the verb, such as the non-bracketed parts of the following sentences: (They) have understood his intention); (Susan) was very patient.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Curriculum

“The curriculum comprises the subjects and courses taught in any educational institution. It is a formal statement, by the institution, of what is to be learned. In British schools, following the 1988 Education Reform Act, the curriculum is determined nationally and consists of a number of core subjects that must be studied by all school students. (See P. WexlerSociology of the Curriculum1991.)

Excerpted from: Matthews, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.