Tag Archives: professional development

On Education and Data and Ethos

“Murray Cohn has, for twenty-three years, run Brandeis according to his own lights. He believes in cleanliness and order—and the halls of Brandeis are clean and orderly. He believes in homework, especially writing—and the students do it, even if they don’t do enough. He believes in publicly praising achievement—and the schools bulletin boards offer congratulations to attendance leaders and the like. What Cohn and other administrators like him impart to their schools is nothing quantifiable; it is an ethos.”

James Traub, as quote in The Great School Debate: Which Way for American Education (1985)

Term of Art: Semiotics

“Semiotics: An argument for the construction of meaning through structures of symbols that began with early-20th-century linguistics. In it the ‘signifier’ (a written or spoken word) and the ‘signified’ (the actual object of concept referred to) together form a ‘sign.’ It became useful for examining other cultural products as codes, including art. Magritte’s The Uses of Words I takes a semiotic approach to art-making. By painting the words Ceci n’est pas une pipe (This is not a pipe) under the image of a pipe, he questioned pictorial representation. It is not actually a pipe, merely its image. The broader impact of semiotics has been in postmodern art and criticism in studies of the power of cultural signs that are examined, reexamined, and deconstructed.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Synecdoche

“Synecdoche: (Greek ‘taking up together’) A figure of speech in which the part stands for the whole, and thus something else is understood within the thing mentioned. For example: in ‘Give us this day our daily bread’, ‘bread’ stands for the meals taken each day. In these lines from Thomas Campbell’s Ye Mariners of England, ‘oak’ represents the warships as well as the material from which they are made:

‘With thunders from her native oak,

She quells the flood below.’

Synecdoche is common in everyday speech. In “Chelsea won the match”, Chelsea stands for the Chelsea football team. See also ANTONOMASIA; METALEPSIS; METONYMY.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Term of Art: Mental Age

“mental age n.: A child’s performance on a test of mental ability expressed as the average age of children who achieved the same level of performance in a standardization sample. Thus a 10-year-old child who achieves the same score as the average 12-year-old child in a standardization sample has a mental age of 12. The concept was introduced in 1905 by the French psychologists Alfred Binet (1857-1911) and Theodore Simon (1873-1961). See also Binet-Simon scale, IQ. Compare chronological age, social age. MA abbrev.”

Excerpted from: Colman, Andrew M., ed. Oxford Dictionary of Psychology. New York: Oxford University Press, 2003.

Daniel Willingham on Vocabulary and Reading

“We have a pretty low tolerance for reading unknown words. And writers use a lot of words, many more than speakers do. If I’m talking about my cheap friend, I might use the word cheap three times within a few sentences. But writers like to mix things up, so my friend will be ‘frugal,’ ‘stingy,’ ‘thrifty,’ and ‘tight.’ Texts that students typically encounter in school have about 85,000 different words. Somehow we need to ensure that children have a broad enough vocabulary so that they are not constantly colliding with unknown words.”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Alfred North Whitehead on Instructional Procedure

“This discussion rejects the doctrine that students should first learn passively, and then, having learned, should apply knowledge. It is psychological error. In the process of learning, there should be present, in some sense or other, a subordinate activity or application. In fact, the applications are part of the knowledge. For the very meaning of things known is wrapped up in their relationships beyond themselves. Thus, unapplied knowledge is knowledge is knowledge shorn of its meaning.”

Alfred North Whitehead

Essays in Science and Philosophy

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

Term of Art: Apercu

“Apercu (AA PER SUE): The term would be used by an analyst in a structure such as ‘The writer here presents, as apercu, that women, on the average, are shorter than men.’ That is to say, the comment is that the writer does not present her statement merely as an observation, but instead as if it were an insight, as if it were a particularly astute perception. ‘And then it came to me, women are shorter than men.” This example is deliberately unsubtle because what I mean to stress is that to describe a presentation as apercu is to talk about the manner of presentation rather than to make a comment on the actual ‘insightfulness’ of the comment itself. Like objectivity, apercu describes a rhetorical pose rather than confers a positive evaluation. See also EPIPHANY.

A second meaning of apercu is as a name for a summary, outline, or synopsis.

Excerpted from: Trail, George Y. Rhetorical Terms and Concepts: A Contemporary Glossary. New York: Harcourt Brace, 2000.

Anglo-Saxons

“Anglo-Saxons: A compound name used from the early c5 AD after movements of the Angles and Saxons from their homelands led to a merging of their separate identities. This took place in the Elbe-Weser region of the North Sea coast, whence they crossed to settle in England after the breakdown of Roman rule. Other Germanic peoples who part in the migrations, such as the Jutes and the Frisians, have become included under this name. The language, culture, and settlement pattern of medieval and later England can be traced directly to them.

The movement probably began in c4 with the arrival of barbarian Foederati to serve with the Roman army, a situation mirrored in the legendary invitation of Vortigern to Hengist and Horsa to settle in Thanet in exchange for their military support. The main immigration began in the middle of c5. Bede, writing early in c8, gives the only reliable historical record for this period, though incidental information can be found in the Old English literature, particularly in the poem of Beowolf.

By late in c6 this movement was coming to an end and the English kingdoms were taking shape. Though they were traditionally seven in number (the Heptarchy) there were more than this to begin with, the less powerful gradually being absorbed by Northumbria, Mercia, and Wessex. East Anglia and Kent retained their independence longest. The increasing number of detailed contemporary documents shows the varying fortunes of these kingdoms. Wessex became the nucleus of an increasingly unified England between 886 and 927. In 1016, however, the kingdom fell to the Danes under Canute, and then to William of Normandy in 1066, the date generally accepted as marking the end of the Anglo-Saxon period.

Archaeologically, the period can divided into three, not counting the poorly documented preliminary phase overlapping the Roman occupation. The Early or Pagan Saxon period ends with the general acceptance of Christianity in c7, following the arrival of St Augustine at Canterbury in 597 and St Aidan at Lindisfarne in 635. Its remains are limited largely to burial deposits, these often being very rich. Burial was by cremation in urns, or by inhumation in cemeteries of trench graves or occasionally under barrows. Grave goods often include knives, a sword or spear, a shield boss, and occasional brooches and buckles with the men, brooches, beads, girdle-hangers and pottery with the women. Recently villages have come light, such as at West Stow, Suffolk, and Mucking, Essex.

The Middle Saxon period is less well known since the practice of burying grave goods with the dead went out with the advent of Christianity, Few buildings have yet been identified, the most outstanding being the royal palaces in Yeavering in Northumberland.

The invasion of the Vikings or Danes in C9 introduce the Late Saxon period. Grave goods are again not found but more is known of the doubtless commoner and more substantial dwellings. Large timber-built town houses have been studied at Thetford, Winchester, and Southampton, with some stone-built churches survive (Bradford -on-Avon, Earl’s Barton, Escomb, etc). The pottery of the period is also beginning to be understood, with the recognition of distinct fabrics made by industry based on St Neots, Thetford, and Stamford.”

Excerpted from: Bray, Warwick, and David Trump. The Penguin Dictionary of Archaeology. New York: Penguin, 1984.

Term of Art: Ellipsis

“ellipsis: The omission of one or more elements from a construction, especially when they are supplied by the context. E.g. if A asks Have you seen my glasses? B might answer eliptically I’m afraid I haven’t, with the remainder of the construction (seen your glasses) to be understood from the question. Hence ‘to ellipt’: thus seen your glasses would be ‘ellipted’ in B’s answer.

Also, in some usage, whenever a null element is posited. E.g. in I am afraid [he left], a subordinate clause (in brackets) might be said to begin with a null complementizer, representing an ‘ellipsis’ of the overt complementizer in I am afraid [that he left]. The way the term is applied may also depend in part on where words are described as pro-forms. Thus in John DID, with emphasis on did, one might say that a part of the construction is missing: compare John DID see them. Therefore there is no ellipsis. But where the stress is on John, one might be tempted to argue that there is no ellipsis: JOHN did, but not, with a similar expansion, JOHN did see them. Instead did might be described as a pro-form which completes the sentence on its own.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Term of Art: Authoritarian Personality

“authoritarian personality: A term coined by Theodor Adorno and his associates through a book of the same name first published in 1950, to describe a personality type characterized by (among other things) extreme conformity, submissiveness to authority, rigidity, and arrogance toward those considered inferior.

Adorno was a member of the Frankfurt School who fled the Third Reich, first to Britain and then to the United States, where he conducted extensive empirical research on the anti-Semitic, ethnocentric, and fascist personalities. In attempting to explain why some people are more susceptible to fascism and authoritarian belief-systems than are others, Adorno devised several Likert attitude scales which revealed a clustering of traits which he termed authoritarianism. Several scales were constructed (ethnocentric, anti-Semitic, fascist) and part of the interest in the study came from examining these scales. During interviews with more than 2,000 respondents, a close association was found between such factors as ethnocentrism, rigid adherence to conventional values, a submissive attitude towards the moral authority of the in-group, a readiness to punish, opposition to the imaginative and tender-minded, belief in fatalistic theories, and an unwillingness to tolerate ambiguity. These authoritarian attitude clusters were subsequently linked, using Freudian theory, to family patterns. Intensive interviewing and the use of Thematic Apperception Tests identified the authoritarian personality with a family pattern of rigidity, discipline, external rules, and fearful subservience to the demands of parents.

The Authoritarian Personality is a classic study of prejudice, defense mechanisms, and scapegoating. The term itself has entered everyday language, even though the original research has attracted considerable criticism. Among other weaknesses, critics have suggested that the Adorno study measures only an authoritarianism of the right, and failed to consider the wider ‘closed mind’ of both left and right alike; that it tends, like all theories of scapegoating, to reduce complex historical processes to psychological needs; and is based on flawed scales and samples. For a detailed exposition and critique see John Madge, The Origins of Scientific Sociology (1962). See also CRITICAL THEORY.

Excerpted from: Matthews, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.