Tag Archives: philosophy/religion

Tower of Babel

“Tower of Babel: A structure erected after the Flood by the descendants of Noah when they reached Babylonia. According to Gen. 11, the plan was to build a tower that would reach to heaven, but Jehovah, displeased by the arrogance and presumption of the builders, “confounded their speech” so they could not understand one another and “scattered them abroad from thence upon the face of all the earth.” The story provides a biblical explanation for the diversity of languages around the world. Tower of Babel has come to signify an ambitious or visionary scheme; the word babel has become associated with a confused uproar in which nothing can be heard but the hubbub.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Pentagram—Solomon’s Seal

The five-pointed star, the Pentagram, was a symbol of absolute authority to the Sumerian civilization of Mesopotamia (modern-day Iraq), as early as the third millennium BC. It represented an additional axis or the royal authority reaching out to the four corners of the earth. Later, in classical Greece, it was used as a mystic symbol by Pythagoreans and in early Jewish lore it was associated with Solomon’s Seal, a magical signet ring of King Solomon which gave him the power to command demons and speak to animals. (Confusingly, Solomon’s Seal can also be depicted as a hexagon.)

This Seal of Solomon was revered by Jews, Christians and Muslims. Indeed an interlinked ribbon version—known as the Seal of Solomon—is used on the Moroccan national flag. Medieval astrologers interpreted the pentagram as a symbol of the five wounds of Christ. However, the symbol dropped out of Christian use, having been co-opted by medieval necromancers and modern witchcraft.

Renaissance occultists made a distinction in the star’s orientation. When pointed upwards the star was good, symbolizing spirit presiding over the four elements of matter. Pointing down it was evil—the sign of the goat of black magic (whose face could be drawn in the star or its beard and horn suggested by the points). Wiccans have adopted the symbol (in its good form) as their emblem, and it is widely used by neo-Pagans, often as a pentacle, within an enclosed circle.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Culture and Anarchy by Matthew Arnold

“Culture and Anarchy: (1869) The full title of this work by Matthew Arnold is Culture and Anarchy: An Essay in Political and Social Criticism. Arnold felt it was necessary to shake the members of the Victorian middle class, the ‘Philistines,’ out of their smug complacency, and to show them the need for incorporating ‘sweetness and light’ (a phrase taken from Swift’s The Battle of the Books) into their daily lives. The book is known for its definition of a three-tier class structure of Barbarians, Philistines, and the Populace. Arnold also opposed Hellenism, which is concerned with beauty, knowledge, and imaginative free play, to Hebraism, which involves ethics, responsibility, and self-control. He felt that society was too Hebraic, and should show greater respect for ‘culture,’ which he defines famously as a canon of ‘the best that has been thought and said,’ but also as an action, ‘the study and pursuit of perfection.’ He believed culture should be disseminated throughout society with an aim toward social equality, though his own elite position blinded him to biases about race, sex, and class, and the destructive homogenization implied by his claim that individual perfection depends on the realization of the state as the ideal expression of community.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Cognitive Style

“cognitive style: The preferred way an individual processed information, usually described as a personality dimension that influences attitudes, values, and social interaction. Unlike individual differences in abilities that describe peak performance, styles describe a person’s typical mode of thinking, remembering, or problem solving. Having more of an ability is usually considered beneficial, while having a particular cognitive style simply denotes a tendency to behave in a certain manner.

Field Independence/Dependence A number of cognitive styles have been identified and studies over the years; field independence/field dependence is probably the most well known. Individuals view the world in different ways. Those who are called “field-dependent” perceive the world in terms of larger patterns and relationships, whereas those who are “field-independent” perceive the world in terms of discrete elements–they look at the pieces that make up the whole.

Most schools in Western culture favor a field-independent approach, rewarding students who tend to work and organize information on their own. These learneer are objective in that they make what is being studies into an object to be analyzed and understood.

Studies have identified a number of connections between this cognitive style and learning. For example, field-independent individuals are likely to learn more effectively by studying by themselves, and are influenced less by social reinforcement.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

La Marseillaise

“La Marseillaise: The hymn of the French Revolution and the national anthem of France. The words and music were written on the night of 24 April 1792 by Claude-Joseph Rouget de Lisle (1760-1835), an artillery officer in the garrison at Strasbourg, in response to a request by the mayor of Strasbourg for a military marching song following the outbreak of war with Austria on 20 April. Its original title was ‘Chant de guerre pour l’armee du Rhin’ (‘war song of the Rhine army’), but it became known as ‘La Marseillaise’ after it was sung in Paris in July 1792 by troops from Marseilles. It has had a checkered career as the French national anthem, being dropped in non-republican phases. It was first adopted in 1795 but banned by Napoleon when he became emperor. The ban continued after the 1815 restoration, but was lifted after the 1830 revolution. It was banned again on the establishment in 1852 of the Second Empire of Napoleon III, and was not readopted until 1879, some years after the establishment of the Third Republic.

Allons, enfants de la patrie,

Le jour de gloire est arrive.

(‘Come, children of the country, the day of glory has arrived.’)”

Claude Joseph Rouget De Lisle: ‘Le Marseillaise’ (1792), opening lines

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

The Devil’s Dictionary: Abstruseness

“Abstruseness, n. The bait of a bare hook.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Hieratic

“Hieratic: An expression used to designate the severe, stylized forms of Byzantine art (and its derivatives) in which the presentation of the sacredness of a person or thing takes precedence over any naturalistic qualities.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Henry Adams on Experience

“All experience is an arch, to build upon.”

Henry Adams

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Ralph Waldo Emerson

This reading on Ralph Waldo Emerson and its accompanying vocabulary-building and comprehension worksheet might be useful in presenting high school students with a more robust biographical knowledge of this key figure in American letters. As a philosopher, Emerson was highly regarded by Friedrich Nietzsche, among others; his circle, known as the Transcendentalists, left a mark on American culture that is not always easy to trace, but of clear continuity once its traces are found.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Willing Suspension of Disbelief

“Who coined the term ‘willing suspension of disbelief’? Samuel Taylor Coleridge in his critical treatise Biographia Literaria (1817). Coleridge used the term to refer to the ‘poetic faith’ of a reader in accepting imaginary elements in a literary work.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.