Here is a Cultural Literacy worksheet on the concept of a sect. This is a half-page worksheet with a reading of two sentences and two comprehension questions. A simple but effective introduction to a concept students really ought to understand before they graduate high school.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“The end of the human race will be that it will eventually die of civilization.”
Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.
“Octavio Paz: (1914-1998) Mexican poet, writer, and diplomat. Educated at the University of Mexico, Paz published his first book of poetry, Luna Silvestre (“Savage Moon”) in 1933. He later founded and edited several important literary reviews. Influenced in turn by Marxism, surrealism, existentialism, Buddhism, and Hinduism, his poetry uses rich imagery in dealing with metaphysical questions, and his most prominent theme is the human ability to overcome existential solitude through erotic love and artistic creativity. His prose works include The Labyrinth of Solitude (1950), an influential essay on Mexican history and culture. He was Mexico’s ambassador to India 1962-68. He was awarded the Nobel Prize in 1990.”
Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
“Mateo Aleman: (1547-after 1613) Spanish novelist. The son of a prison doctor, Aleman studied in Seville, Salamanca, and Alcala, and spent some twenty years as a government accountant. He was twice imprisoned for debt. In 1608 he went to Mexico in the company of Archbishop Garcia Guerra, whose life he published in 1613.
Aleman is remembered chiefly as the author of Guzman de Alfarache, the second great picaresque novel, after Lazarillo de Tormes (1554). The first part appeared in 1599, and, after Juan Jose Marti, a Valencian lawyer, produced a spurious sequel (1602), Aleman himself wrote a continuation (1604), in which he good-naturedly lampooned Marti. Aleman also wrote a biography of Saint Anthony of Padua (1604) and Ortografia castellana (1609), a treatise on spelling.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
“Biography: Respectable pornography, thanks to which the reader can become a peeping tom on the life of a famous person.
Biography has increasingly replaced the novel as the most popular form of serious reading. While in the eighteenth and nineteenth centuries the novel provided the reader with a reflection of him or herself, today the biography encourages the gratuitous pleasures and self-delusion of voyeurism.”
Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.
Posted in English Language Arts, Quotes
Tagged humor, literary oddities, philosophy/religion
Here is a Cultural Literacy worksheet on the concept of taboo. This is half-page worksheet with a reading of two sentences and three comprehension questions. At the risk of pontificating, I think students, by the time they are in high school, really ought to understand the concept of taboo.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“absurdity: The experience of absurdity is a common theme in the work of novelists such as Dostoevsky and Kafka, as well as in the many varieties of existentialism. The early essays of Albert Camus and his first novel The Outsider are classic modern expressions of this experience. The realization that existence is absurd arises from the sense of futility and meaninglessness provoked by the perception that there is a divorce between the human aspiration towards infinity and the finite nature of actual human experience, or between the intellectual desire for rationality and the irrationality of the physical world. The world is experienced as something unintelligible, and as the product of random combinations of events and circumstances. Although the experience of the absurd can induce s suicidal despair, the realization that there is no God and that human beings are not immortal can also produce an exhilarating sense of freedom and inspire a revolt against the human condition. There is a somewhat tenuous connection between the literary-philosophical notion of the absurd and the themes of the Theater of the Absurd.”
Excerpted from: Macey, David. The Penguin Dictionary of Critical Theory. New York: Penguin, 2001.
This Cultural Literacy worksheet on realism might be of some use in an English classroom, though I admit I’ve never heard the term uttered in any English class I’ve co-taught. In any event, this is a half-page worksheet with a reading of two sentences, the second of which is longish, but not unwieldy, and three comprehension questions. A solid, but basic, introduction to this concept in the fine arts.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Biographical Films: Since attention to historical detail ruins filmed drama, the essential property of biographical cinema is that it improves in quality by not telling the truth.
These films, whether describing the lives of American presidents or criminals, French generals or Russian kings, are among the beneficiaries of the ‘big lie’ idea. As a result they have helped to create a modern mythology which erases the Western idea of intellectual inquiry and returns to the pre-intellectual tradition of mythological gods and heroes. This is the context in which the portraits of John Kennedy, James Hoffa, Napoleon and so on can most easily be understood.”
Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.
“Jason * Orpheus (the lyre-playing musician) * Mopsus the seer * Heracles and his male love of the moment, the handsome young Hylas (who gets kidnapped by water nymphs) * Pollux the champion boxer who kills the king of the Bebyrycians * Shape-shifting Periclymenus * Fast-footed Euphemus * Winged Calais and Zetes (sons of the North Wind who repel the Harpies) * and 40 more
The Argo, which had a magical keel crafted out of a sacred oak from the oracle of Dodona, was crewed by fifty heroes of ancient Greece—the Argonauts. Jason was the leader of this warrior band (sometimes referred to as the ‘Minyans’) sent on what was presumed to be a suicidal quest by King Pelias, his usurping half-uncle. Their mission was to sail to Colchis (Georgia) and seize possession of the Golden Fleece of a divine ram what hung from a tree in a grove sacred to Ares, god of war, guarded by a sleepless dragon.
Every city in Greece liked to imagine that they contributed a hero to this mythical band, which means that the list has had to grow in number, though if you examine the text of Apollonius of Rhodes, written in third-century Alexandria, it is easy enough to identify all the named Argonauts. Even this cast, however, numbers fifty-five, though by juggling who comes on, as others go off, the good ship Argo, it is just about possible to keep to fifty.
If you add other famous names and such ubiquitous heroes such as Bellerophon, Nestor, Perseus, Atalanta, and Theseus, you can grow the crew to eighty, which has a hidden harmony with the text of Apollonius, who has embedded eighty aitia in his epic. These are short verse sequences which give the mythical origins or such curious things as the sacred water-carrying race held on the island of Aegina or how the island of Thira is linked with Libya. The final text comprise 6,000 lines, which can be recited in one day to reasonably alert ancient theater audience.”
Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.
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