Tag Archives: music

The Weekly Text, 21 February 2025, Black History Month Week III: A Reading and Comprehension Worksheet on 2Pac and Biggie

For the third week of Black History Month 2025 here is a reading on 2pac and Biggie along with its attendant vocabulary-building and comprehension worksheet.

At this point, this blog is heavily stocked with materials excerpted and adapted from David S. Kidder and Noah Oppenheim’s series of books under the title of The Intellectual Devotional. There are five in all of these books: the first one, simply called The Intellectual Devotional, then one volume each (under the title The Intellectual Devotional) on American History, Biographies, Health, and Modern Culture. All of this is a long way of explaining that some readings repeat, with only slight variations, in more than one volume of this series; there is, ergo, another version of this material on this blog that I published back in 2018.

It goes without saying that in some places, this will particularly high-interest material. Thus, I have tagged it as such.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Sarah Vaughn

“Sarah (Lois) Vaughan: (1924-1990) U.S. singer, one of the most virtuosic and expressive in jazz. Born in Newark, New Jersey, Vaughan won an amateur contest at Harlem’s Apollo Theater in 1942 and joined Earl Hines’s big band as vocalist and second pianist the following year. Joining Billy Eckstine in 1944, she gained exposure to the new music of bebop, and later recorded with Dizzy Gillespie and Charlie Parker. Alternating between popular song and jazz, she worked as a soloist for the rest of her career. A vast range and wide vibrato in the service of her harmonic sensitivity enabled Vaughan to employ a seemingly instrumental approach when singing, often improvising as a jazz soloist.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Warren Zevon on Personal and Public Integrity in Our Era

“I started as an altar boy working at the church
Learning all my holy moves doing some research
Which led me to a cash box labelled ‘Children’s Fund’
I’d leave the change and tuck the bills inside my cummerbund
I got a part-time job at my father’s carpet store
Laying tactless stripping and housewives by the score
I loaded up their furniture and took it to Spokane
Auctioned off every last Naugahyde divan
I’m very well acquainted with the seven deadly sins
I keep a busy schedule trying to fit them in
I’m proud to be a glutton and I don’t have time for sloth
I’m greedy and I’m angry and I don’t care who I cross
[CHORUS]
I’m, intruder in the dirt
I like to have a good time and I don’t care who gets hurt
I’m, take a look at me
I’ll live to be a hundred and go down in history
Of course I went to law school and got a law degree
And counseled all my clients to plead insanity
Then worked in hair replacement swindling the bald
Where very few are chosen, fewer still are called
Then on to Monte Carlo play chemin de fer
I threw away the fortune I made transplanting hair
I put my last few francs down on a prostitute
Who took me up to her room to perform the flag salute
Whereupon I stole her passport and her wig
And headed for the airport and the midnight flight, you dig?
Fourteen hours later I was down in Adelaide
Looking through the want ads sipping Foster’s in the shade
I opened up an agency somewhere down the line
To hire aboriginals to work the opal mines
But I attached their wages and took a whopping cut
And whisked away their workman’s comp and pauperized the lot
[CHORUS]
I bought a first class ticket on Malaysian Air
Landed in Sri Lanka none the worse for wear
I’m thinking of retiring from all my dirty deals
See you in the next life, wake me up for meals”
Source: LyricFind
Songwriters: Jorge A. Calderon / Warren Zevon
Mr. Bad Example lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc, Wixen Music Publishing

Places In American Cultural History: The San Remo Cafe, Greenwich Village, New York City

IMG_0652

Charles Ives on Awards

“Awards are merely the badges of mediocrity.”

Charles Ives

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Cultural Literacy: Julia Ward Howe

Here is a Cultural Literacy worksheet on Julia Ward Howe, who wrote the the “Battle Hymn of the Republic.” This is a half-page document with a reading of two sentences, the first of which is long and might needed to be edited to a more manageable length for English language learners and emergent readers, and three comprehension questions.

Ms. Ward was an abolitionist and social reformer–a significant figure in her time. So I mean no respect when I say that when I hear the the melody of “Battle Hymn of the Republic,” I hear Allan Sherman’s rendition of it, i.e. “Harry Lewis.”

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Sarah Bernhardt

OK, it’s just about time to leave for school, but finally this morning here is a Cultural Literacy worksheet on Sarah Bernhardt. This is a half-page document with a reading of two sentences and two comprehension questions. In other words, the sparest of introductions to this major figure in French culture.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Martha Argerich

“Martha Argerich: (born 1941) Argentine pianist. A prodigy, she began concertizing before she was 10. She went to Europe in 1955, where her teachers included Arturo Benedetti Michelangeli (1920-1995). She won the Busoni and Geneva competitions at 16m and the Chopin competition in 1965. The exceptionally brilliant technique, emotional depth, and elan displayed in the Romantic works in which she specializes have won her perhaps the most enthusiastic international following of any pianist in the world.”

­­­­­­­­­Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, 15 March 2024, Women’s History Month Week 3: A Reading and Comprehension Worksheet on Patti Smith

On this, the third Friday of Women’s History Month 2024, here is a reading on Patti Smith with its accompanying vocabulary-building and comprehension worksheet. I’d really like to think at this point that this extraordinary artist requires little introduction on this blog, so enough said.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Carter G. Woodson on Blackness, Social Class, and Liberal Arts Education

“During these years, too, the schools for the classic education for Negroes have not done any better. They have proceeded on the basis that every ambitious person needs a liberal education when as a matter of fact this does not necessarily follow. The Negro trained in the advanced phases of literature, philosophy, and politics has been unable to develop far in using his knowledge because of having to function in the lower spheres of the social order. Advanced knowledge of science, mathematics and languages, moreover, has not been much more useful except for mental discipline because of the dearth of opportunity to apply such knowledge who were largely common laborers in towns or peons on plantations. The extent to which such higher education has been successful in leading the Negro to think, which above all is the chief purpose of education, has merely made of him more of a malcontent when he can sense the drift of things and appreciate the possibility of success in visioning conditions as they really are.

It is very clear, therefore, that we do not have the life of the Negro today a large number of persons who have been benefited by either of the systems about which we have quarreled so long. The number of Negro mechanics and artisans have comparatively declined during the last two generations. The Negroes do not proportionately represent as many skilled laborers as they did before the Civil War. If the practical education which the Negroes received helped to improve the situation so that it is today no worse than what it is, certainly it did not solve the problems as was expected of it.

On the other hand, in spite of much classical education of the Negroes we do not find in the race a large supply of thinkers and philosophers. One excuse is that scholarship among Negroes has been vitiated by the necessity for all of them to combat segregation and fight to retain standing ground in the struggle of the races. Comparatively few American Negroes have produced creditable literature, and still fewer have made any large contribution to philosophy or science. They have not risen to the heights of black men father removed from the influences of slavery and segregation. For this reason we do not find among American Negroes a Pushkin, a Gomez, a Geoffrey, a Captein, or Dumas. Even men like Roland Hayes and Henry O. Tanner have risen to the higher levels by getting out of this country to relieve themselves of our stifling traditions and to recover from their education.”

Excerpted/Adapted from: Woodson, Carter G. The Mis-education of the Negro. Eastford, CT: Martino Fine Books, 2018.