Tag Archives: music

1,003 Conquests of Don Giovanni

“Leporello, manservant of the fictional rake Don Giovanni (Don Juan), revealed that his master made 1,003 sexual conquests in his Spanish homeland…as well as 640 in Italy, 231 in Germany, 100 in France, and 91 in Turkey. Of course, it must be remembered that Leporello’s purpose was to gently persuade Donna Elvira not to put too much trust in his master–and to amuse an operatic audience. Still, Don Giovanni’s figures stack up well alongside his historic rivals. Casanova claimed to have slept with a mere 122 women. Byron (who wrote his own Don Juan) raced through more than 300 women (plus numerous rent boys and transvestites) before his early death in Greece, aged 36.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Two Sevens Clash

Two Sevens Clash was the debut album from Culture, the roots reggae band led by Joseph Hill and produced in Kingston, Jamaica, by Joe Gibbs. Its title refers to the date of 7.7.1977—the day when ‘two sevens met’—which the Rastafarian prophet Marcus Garvey predicted would be a day of chaos and apocalypse. As the liner notes of the album read: ‘One day Joseph Hill had a vision, while riding a bus, of 1977 as a year of judgement—when two sevens clash—when past injustices would be avenged. Lyrics and melodies came into his head as he rode, and thus was born the song Two Sevens Clash which became a massive hit in reggae circles both in Jamaica and abroad. The prophecies noted by the lyrics so profoundly captured the imagination of the people that on July 7, 1977—the day when the sevens fully clashed (seventh day, seventh month, seventy-seventh year) a hush descended on Kingston; many people did not go outdoors, shops closed, an air of foreboding and expectation filled the city.’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Cultural Literacy: Josephine Baker

Here is a Cultural Literacy worksheet on Josephine Baker who was, by any standard to which I can comfortably stipulate, a great American who lived most of her life, like many American entertainers, writers and intellectuals of African descent, in Paris

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Bette Midler on the Timeline of Culture

“When it’s three o’clock in New York, it’s still 1938 in London.”

Quoted in Jerusalem Post, 24 February 1989

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Mahalia Jackson (1911-1972)

U.S. gospel singer. As a child, Jackson sang in the choir of the New Orleans church where her father preached. She learned sacred songs but was also exposed to blues recordings by Bessie Smith and Ida Cox. In Chicago she worked at odd jobs while singing with a gospel touring quintet, and opened several small businesses. Her warm, powerful voice first came to wide public attention in the 1930s, when she participated in a cross-county tour singing such songs as “He’s Got the Whole World in His Hands.” Closely associated with Thomas A. Dorsey, she sang many of his songs. “Move on up a Little Higher” (1948) sold over a million copies, and she became one of the best-selling singers of the 1950s and ‘60s. She first appeared at Carnegie Hall in 1950. Active in the civil-rights movement from 1955, she sang at the epochal 1963 civil-rights march in Washington.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Clifford Brown, 1930-1956

“U.S. jazz trumpeter and principal figure in the hard-bop idiom. Born in Wilmington, Delaware, he became the most influential trumpeter of his generation, inspired by Fats Navarro to combine technical brilliance with lyrical grace in his playing. After touring with Lionel Hampton’s big band in 1953, he worked with Art Blakey; in 1954 he and drummer Max Roach formed a quintet that became one of the outstanding groups in modern jazz. He died in a car crash at age 25.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Cultural Literacy: Jazz

You might find that this Cultural Literacy worksheet on Jazz nicely complements the post on the late, great Clifford Brown above it. “Brownie,” as his friends and colleagues called him, was a major influence in the genre and still an unmitigated joy to hear.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Spirituals

Since we as a society have decided that music education is somehow superfluous to the edification of children, I don’t know whether you’ll be able to use this Cultural Literacy worksheet on spirituals. I hope so.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Gospel Music

OK, for the third post of this Tuesday morning, you might find this Cultural Literacy worksheet on Gospel Music useful somewhere in your practice. Because even in this short passage, its authors found room to mention Gospel’s influence on Rock and Roll, a couple of nice complements to this short exercise are this Wikipedia article on the great Sister Rosetta Tharpe as well as this this article from Rolling Stone arguing for her inclusion  in the Rock and Roll Hall of Fame.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Ishmael Reed (1938-)

American novelist and poet. Reed’s writing reflects his belief that the black American writer should function as a kind of conjurer of what Reed calls ‘neo-hoodoo,’ an attempt to pry the distinct qualities of Afro-American culture loose from Euro-American culture. In a language composed of black dialects, standard English, and hip jargon, he writes angry satires on an American society corrupted by racism and uncontrolled technology. Among his novels are The Free-Lance Pallbearers (1967), Mumbo Jumbo (1972), Flight to Canada (1976), The Terrible Twos (1982), and Japanese by Spring (1993). His verse collections include Conjure (1972) and Secretary to the Spirits (1975). Other works include Shrovetide in Old New Orleans (1978), occasional writings; Hell Hath No Fury (1980), a play; The Terrible Threes (1990), a collection of short stories; and Airing Dirty Laundry (1993), containing memoirs.

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

[Addendum: Ishmael Reed entered my cultural cosmology when I heard the the percussionist and producer Kip Hanrahan’s projects to set Mr. Reed’s poetry to music,  the first of which, Conjure (named for one of Mr. Reed’s books of verse) appeared in 1983. I continue to listen to that record regularly, now 35 years later. Two more records from Conjure have appearedCab Calloway Stands in for the Moon (1988) and a two-disc set, Bad Mouth, released in 2006.]