Tag Archives: literary oddities

Rotten Review: Of Mice and Men

“An oxymoronic combination of the tough and tender, Of Mice and Men will appeal to sentimental cynics, cynical sentimentalists…. Readers less easily thrown off their trolley will still prefer Hans Christian Andersen.”

Time

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: The Jungle

“His reasoning is so false, his disregard of human nature so naive, his statement of facts so biased, his conclusions so perverted, that the effect can be only to disgust many honest, sensible folk with the very terms he uses so glibly.”

The Bookman

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Babbitt

“As a humorist, Mr. Lewis makes valiant attempts to be funny; he merely succeeds in being silly. In fact, it is as yellow a novel as novel can be.”

Boston Evening Transcript

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Dangling Man by Saul Bellow

“As the publishers say, it is a sympathetic and understanding study of a young man struggling with his soul. It might be even more sympathetic if Author Bellow (who is not in the Army) ever seemed to suspect that, as an object of pity, his hero is a pharisaical stinker.”

Time

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Max Beerhohm

He is a shallow, affected, self-conscious fribble–so there.”

Vita Sackville-West, letter to Harold Nicolson, 1959

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Samuel Johnson

“I can assure the American public that the errors in Johnson’s Dictionary are ten times as numerous as they suppose; and that the confidence now reposed in its accuracy is the greatest injury to philology that now exists.”

Noah Webster, letter, 1807

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: The Sun Also Rises by Ernest Hemingway

His characters are as shallow as the saucers in which they stack their daily emotions, and instead of interpreting his material–or even challenging it–he has been content merely to make a carbon copy of a not particularly significant surface life of Paris.”

The Dial

“…leaves one with the feeling that the people it describes really do not matter; one is left at the end with nothing to digest,”

The New York Times

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Emile Zola on Les Fleurs du Mal by Charles Baudelaire

“In a hundred years the histories of French literature will only mention (this work) as a curio.”

Emile Zola, in Emile Zola 1953

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: The End of the Road by John Barth

“The same road that has been traveled with Kerouac and to an extent Herbert Gold, this was for those schooled in the waste matter of the body and the mind; for others, a real recoil.”

Kirkus Reviews

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Catch-22

“Heller wallows in his own laughter and finally drowns in it. What remains is a debris of sour jokes, stage anger, dirty words, synthetic looniness, and the sort of antic behavior the children fall into when they know they are losing our attention.”

Whitney Balliet, The New Yorker

“There is a great difference, after all, between milking a joke (the great gift of all comedians) and stretching it out till you kill it. Mr. Heller has enough verve not to have to try so hard to be funny.”

William Barrett, Atlantic Monthly

“…it gasps for want of craft and sensibility…. The book is an emotional hodgepodge; no mood is sustained long enough to register for more than a chapter.”

New York Times Book Review

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.