Tag Archives: literary oddities

360 Degrees

“The circle is divided into 360 degrees, which is an attempt to create a perfect universe out of our slightly wonky one. For 360 can be neatly divided by 4 to make 90-day seasons, or by 12 to make perfect months of 30 days, or by 18 to make 20-day units. This perfect ordering of the world—the sexagesimal system—was codified by the Babylonians and still orders the world of geometry and time-keeping with 60 seconds in a minute and sixty minutes in an hour.

Of course, the reality of our world was never quite as neat as those Babylonian mathematicians aspired to be, for a lunar month is actually 29 days 12 hours, and 44 minutes, not a neat 30, and a solar year (the time in which it takes the earth to orbit the sun) is actually 365 days, five hours, and 48 minutes, not a neat 360. So, in the old days, we made an odd thirteenth month of five days, before opting to spread them around to make some months 30 days long, some 31. And every fourth year we need our years to be 366 days long, in order to use up an extra day acquired by four additional units of five hours and 48 minutes.

Nonetheless, the perfection of 360 has always been aspired to, with ancient stone circles formed of 360 stones and altars formed from 360 cut stones.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Nicolas Chamfort on Anthologists

“Most anthologists…of quotations are like those who eat cherries…first picking the best ones and winding up by eating everything.”

Nicolas Chamfort

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Rotten Rejections: Black Oxen by Gertrude Atherton

“I have no hesitation. In advising you to decline Mrs. Atherton’s novel…principally for the reason that it is an apology for adultery…besides this radical immorality, the novel contains many passages of pseudo-philosophy which would give offense to religious persons.”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Algonquin Wits: Beatrice Kaufman Attends a Concert at Carnegie Hall

Beatrice Kaufman, who held little appreciation for music of any sort, once accompanied Oscar Levant to Carnegie Hall to hear Stokowski conduct Bach’s B Minor Mass. While en route to the theater Beatrice realized they were going to be late and urged her escort, ‘In heaven’s name let’s hurry or we’ll miss the intermission.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Paul Fussell on Writing

“If I didn’t have writing, I’d be running down the street hurling grenades in people’s faces.”

Paul Fussell

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

The Devil’s Dictionary: Monarch

“Monarch, n. A person engaged in reigning. Formerly the monarch ruled, as the derivation of the word attests, and as many subjects have had occasion to learn. In Russia and the Orient the monarch has still a considerable influence in public affairs and in the disposition of the human head, but in western Europe political administration is mostly entrusted to his ministers, he being somewhat preoccupied with reflections relating to the status of his own head.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

The American Mercury

“The American Mercury: An iconoclastic magazine founded in 1924 and edited by H.L. Mencken and George Jean Nathan. Among its contributors were Lewis Mumford, Sinclair Lewis, Carl Sandburg, and Vachel Lindsay. After Mencken’s retirement in 1933, it was published as a pocket-sized miscellany of conservative tendencies by Lawrence E. Spivak. It eventually became a rightist organ of limited circulation owned by millionaire J. Russell Maguire.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Fabliaux

“Fabliaux: 12th-14th centuries) Short humorous tales, often ribald or scurrilous. Highly popular in the Middle Ages, they are situation comedies burlesquing the weaknesses of human nature; women, priests, and gullible fools are often the butts of the buffoonery, which sometimes becomes savagely bitter. The material derives from the oral folk tradition of bawdy anecdotes, practical jokes, and clever tricks of revenge, but the term fabliau was first specifically applied to a medieval French literary form, a narrative of three hundred to four hundred lines in octo-syllabic couplets. About 150 of these are still extant. Similar prose tales became popular all over Europe, as in Boccaccio’s Decameron. Apparently only a few narratives in the style of the fabliau were written in England; the most notable are the ones Chaucer included in his Canterbury Tales, such as the Miller’s, the Reeve’s, the Friar’s, the Summoner’s, and the Shipman’s tales.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Algonquin Wits: Franklin Pierce Adams on the Perils of Artificial Cheer

“Every time we tell anybody to cheer up, things might be worse, we run away for fear we might be asked to specify how.”

Franklin Pierce Adams

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Devil’s Dictionary: Abroad

“Abroad, adj. At war with savages and idiots. To be a Frenchman abroad is to be miserable; to be an American abroad is to make others miserable.” 

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.