Tag Archives: literary oddities

Octave Mirbeau on What Sounds Like a Day at Work

“You’re obliged to pretend respect for people and institutions you think absurd. You live attached in a cowardly fashion to moral and social conventions you despise, condemn, and know lack all foundation. It is that permanent contradiction between your ideas and desires and all the dead formalities and vain pretenses of your civilization which makes you sad, troubled, and unbalanced. In that intolerable conflict you lose all joy of life and all feeling of personality, because at every moment they suppress and restrain and check the free play of your powers. That’s the poisoned and mortal wound of the civilized world.”

Octave Mirbeau

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Bully Pulpit

“Bully Pulpit Use of high office, power in media, or similar station to exhort of moralize to the people, as in the case of the presidency or an influential, prestigious newspaper. See also JAWBONE

‘And Moyers, unlike most newscasters, has something to say; he has abiding beliefs about what is right and wrong. And the CBS Evening News is, as they say, a bully pulpit.’ James Traub, United Mainliner

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

The Doubter’s Companion: Ideology

“Ideology:Tendentious arguments which advance a world view as absolute truth in order to win and hold political power.

A god who intervenes in human affairs through spokesmen who generally call themselves priests; a king who implements instructions received from God; a predestined class war which requires the representatives of a certain class to take power; a corporatist structure of experts who implement truth through fact-based conclusions; a racial unit which because of its blood ties has a destiny as revealed by nationalist leaders; a world market which, whether anyone likes it or not, will determine the shape of every human life, as interpreted by corporate executives—all of these and more are ideologies.

Followers are caught up in the naïve obsessions of these movements. This combination ensures failure and is prone to violence. That’s why the decent intentions of the Communist Manifesto end up in gulags and murder. Or the market-place’s promise of prosperity in the exploitation of cheap, often child, labor.

There are big ideologies and little ones. They come in international, national, and local shapes. Some require skyscrapers, others circumcision. Like fiction they are dependent on the willing suspension of disbelief, because God only appears in private and before his official spokespeople, class leaders themselves decide the content and pecking order of classes, experts choose their facts judiciously, blood-ties aren’t pure and the passive acceptance of a determinist market means denying 2,500 years of Western civilization from Athens and Rome through the Renaissance to the creation of middle-class democracies.

Which is ideology/ Which not? You shall know them my their assertion of truth, their contempt for considered reflection and their fear of debate.

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.

Postmodernism

They’re very likely something nobody at the elementary or secondary level needs, but here nonetheless are a reading on postmodernism and its accompanying vocabulary-building and comprehension worksheet. The one-page reading does a nice job of explaining what, for me, has always been a slippery concept. So if you’re teaching some or any of the authors discussed in this reading–among others you’ll find Thomas Pynchon, Italo Calvino, Toni Morrison, and Jean Rhys mentioned here–these documents probably aren’t of, uh, surpassing use to you.

On the other hand, as the reading points out, postmodernism is “notoriously difficult to define, whether in reference to literature, art, or anything else….” So there is the question of semantics to entertain here; a point of debate might be “Is there a stable definition of ‘postmodernism’ with concrete applied examples of the word?” Another might be an assertion in the reading, mostly accurate in my understanding of postmodernism, that the doctrine (such as it is) prescribes a view of the world that that “secure truths [do] not exist and that the world was therefore hopelessly fragmented.” That’s a grim assessment in many respects; but how, if at all, has it lent credibility to and generally abetted tyrants around the globe who began almost immediately, after a former president of the United States began flogging the term, began proclaiming most journalism (or journalism that doesn’t flatter the supreme leader) “fake news”? There, I think, is another point for debate.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Jacob Bronowski on Scholarly Work and Virtue

“By the worldly standards of public life, all scholars in their work are of course oddly virtuous.”

Jacob Bronowski in a lecture at the Massachusetts Institute of Technology (1953)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Broadside

“Broadside (noun): A verbal attack or denunciation, especially in a publication; adverse critique; tirade.

‘Constantine Curran, who was now editing St. Stephen’s, the University College magazine, asked Joyce to send him something he could not market elsewhere, but was staggered when Joyce disingenuously submitted a new and scabrous broadside, “The Holy Office.”’ Richard Ellman, James Joyce”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

H.G. Wells on Moral Indignation

“Moral indignation is jealousy with a halo.”

H.G. Wells

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Write It Right: Curious for Odd or Singular

“Curious for Odd, or Singular. To be curious is to have an inquiring mind or mood—curiosity.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Write It Right: Cunning for Amusing

“Cunning for Amusing. Usually said of a child, or pet. This is pure Americanese, as is its synonym, ‘cute.’”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Bon Mot

“Bon Mot  A clever, well-phrased observation or remark; witticism. Pl. bons mots, bon mots.

‘The literary Jews also sprinkled their prose with Yiddish bon mots in lieu of the Latin that the Southerners favored.’ Richard Kostalanetz, Literary Politics in America”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.