Tag Archives: fiction/literature

Term of Art: Deus ex Machina

(Latin ‘god out of the machine’) In Greek drama a god was lowered out onto the stage by a mechane so that he could get the hero out of difficulties and untangle the plot. Euripides used it a good deal. Sophocles and Aeschylus avoided it. Bertolt Brecht parodied the abuse of the device at the end of his Threepenny Opera. Today this phrase is applied to any unanticipated intervener who resolves a difficult situation, in any literary genre.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992

Animal Farm

“A satire in fable form by George Orwell (1903-1950) published in 1945 and depicting a totalitarian regime like that of the Soviet Union under Stalin. The story describes how the animals, accompanied by the slogan ‘Four legs good, two legs bad,’ overthrow their human oppressors. However, the pigs, by cunning treachery and ruthlessness, come to dominate the more honest, gullible, and hard-working animals. Their ultimate slogan is: ‘All animals are equal, but some animals are more equal than others.’ The leader of the pigs is Napoleon, representing Stalin, and at the end the pigs are in cahoots with the humans, even beginning to totter around on two legs. An animated film of the novel appeared in 1955.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rotten Reviews: For Whom the Bell Tolls

“At a conservative estimate, one million dollars will be spent by American readers for this book. They will get for their money 34 pages of permanent value. These 34 pages tell of a massacre happening in a little Spanish town in the early days of the Civil War…Mr. Hemingway: please publish the massacre scene separately, and then forget For Whom the Bell Tolls; please leave stories of the Spanish Civil War to Malraux…”

Commonweal

“This book offers not pleasure but mounting pain; as literature it lacks the reserve that steadies genius and that lack not only dims its brilliance but makes it dangerous in its influence.”

Catholic World

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Anecdote

A brief, presumably interesting report of an experience or incident, especially a humorous account reflecting human foibles; confidential tale or piece of gossip, or an unknown biographical or historical particular; digressive episode. Adj. anecdotal; n anecdotist, anecdotalist.

‘He joked with Baitsell about the formalities, laughed at the red ribbons attached to the will, told a couple of anecdotes about old Newport and Harry Lehr’s will, and finally signed his name in a great, flourishing hand.’” Louis Auchincloss, Powers of Attorney

 Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Rotten Rejections: Ambrose Bierce

[After viewing the film “An Occurrence at Owl Creek Bridge” in middle school, I became fascinated with Ambrose Bierce, and have been ever since. Regular readers of this blog will know that I often excerpt from The Devil’s Dictionary. The squib below is from a rejection  of Bierce’s collection of short stories, Tales of Soldiers and Civilians, which the Grolier Club named “one of the 100 most influential books printed before 1900….”]

“…uniformly horrible and revolting. Told with some power, and now and then with strokes of wonderfully vivid description, with plots ingenious in their terror and photographic in their sickening details, we must pronounce the book too brutal to be either good art or good literature. It is the triumph of realism–realism without power or symbolism.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Homer’s City of 100 Gates

Homer’s chosen image for power was to describe Thebes, the capital of ancient Egypt, as a city of 100 gates; and from out of each one, at any moment, might pour 200 men riding chariots. Egyptian Thebes was known by its inhabitants as Waset. It should not be confused with Thebes in central Greece, a small but ancient Bronze Age city locked into an unprofitable rivalry with Athens and with its own numerical associations ever since Aeschylus wrote the play Seven Against Thebes.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Delphic Oracle

“An ancient oracle at Delphi, on the southern slope of Mount Parnassus. It was of extremely ancient origin, having originally belonged to a chthonic deity. Aeschylus’ claim in the Eumenides that it belonged successively to GeThemis and Phoebe—two of whom, at least, were earth goddesses—may not be far from wrong. In later times, the oracle was taken over by Apollo, who, according to the Homeric Hymn to Pythian Apollo, killed a python, a sacred snake associated with the oracle. The oracular utterances were made by the Pythia, a priestess who sat on a tripod over a cleft in the rock. Her incomprehensible mouthings were interpreted by a priest.

Although there were many oracles in the Greek world, the Delphic oracle was regarded as the final authority in religious matters. A great many of the most famous Greek myths involve the working out of the oracles that issued from Delphi. Associated with the shrine was the omphalos, a sacred stone that was regarded as the navel of the world, though various other centers made the same claim. Some authorities believe that the omphalos was the phallic cap of a tomb, possibly that of the python, since many oracles were associated with the tombs of heroes. In the first part of the Eumenides Orestes clings to the omphalos in seeking sanctuary from the Erinyes, or furies.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Aesop

Greek fabulist. According to tradition, the author of Aesop’s Fables was a Phrygian slave who probably lived from 620 to 560 BC. It is inferable from Aristotle’s mention of Aesop’s acting as a public defender that he was freed from slavery, and Plutarch’s statement that the Athenians erected a noble statue of him would tend to contradict the tradition that Aesop was deformed. There is little information on Aesop’s life, and several scholars have consequently been led to doubt that he ever existed at all. The earliest extant collections of Aesop’s stories were made by various Greek versifiers and Latin translators, to whose compilations were added tales from Oriental and ancient sources, to form what we now know as Aesop’s Fables. The majority of European fables, including those from La Fontaine, are largely derived from these succinct tales, in which talking animals illustrate human vices, follies, and virtues. Since some of Aesop’s fables have been discovered on Egyptian papyri dating from eight hundred to one thousand years before his time, it cannot be claimed that he was by any means the author of all the fables.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Cultural Literacy: F. Scott Fitzgerald

Here is a Cultural Literacy worksheet on F. Scott Fitzgerald. The Great Gatsby (the appeal of which is squandered on this reader) remains a staple in high school English classes, so this short reading and comprehension exercise might serve well to introduce the book’s author.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Armageddon

The site for the last great battle between the forces of good and the forces of evil before the day of judgement (Revelations 16:16). The Hebrew word supposedly refers to Megiddo, which, in the history of Israel, was the scene of many great battles. The word has come to mean any great final struggle or conflict and is comparable to Ragnarok in Norse mythology.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.