Tag Archives: fiction/literature

Zora Neale Hurston on Melancholy

“I do not weep at the world—I am too busy sharpening my oyster knife.”

Zora Neale Hurston

World Tomorrow “How It Feels to be Colored Me”

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Toni Cade Bambara

“(Born Miltona Mirkin Cade, 1939-1995): American short-story writer, novelist, and editor. Known as a writer and social activist, Bambara focused on issues of racial awareness and feminism. Her first, most widely read collection of stories, Gorilla, My Love (1972), depicts a young, sensitive black girl and her family and community as she grows up in a world of racial, sexual, and economic inequality. Her second collection, The Sea Birds Are Still Alive (1977), portrays the intense conflicts among people, especially women, involved in intimate relationships. Interested in black liberation and women’s movements during the 1970s, Bambara edited and contributed to The Black Women: An Anthology (1970), one of the early collections of feminist writing. Her novel, The Salt Eaters (1980), set in Claybourne, Georgia, deals with the recovery of the revolutionary community organizer Velma Henry from an attempted suicide.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Richard Wright

 “1908-1960 American novelist. Born on a farm near Natchez, Mississippi, Wright, largely self-educated, began to write after he moved to Chicago in 1934. Often associated with Nelson Algren, James Farrell, and the Chicago realists, he wrote powerfully dramatic books exploring the ways in which blacks have been shaped and misshaped by white society. His first published work, Uncle Tom’s Children (1938), a collection of four novellas, was followed by Native Son (1940), which became a minor classic and was made into a film in 1951 and again in 1986. Wright was a member of the Communist Party from 1932 to 1944, lived in Mexico for much of the 1940s, and moved to Paris in 1946, where he remained until his death. His autobiography, Black Boy appeared in 1945. Other works include The Outsider (1953), a philosophical novel; White Man, Listen! (1957); The Long Dream (1958), a novel; and Eight Men (1961), a collection of stories published posthumously, which contains some of his finest writing.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

James Baldwin to Angela Davis

“If they take you in the morning, they will be coming for us that night.”

James Baldwin

“Open Letter to My Sister, Angela Y. Davis” (1971)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Richard Wright on Inequality

“Goddamit, look! We live here and they live there. We black and they white. They got things and we ain’t. They do things and we can’t. It’s just like living in hell.”

Richard Wright

Native Son, bk. 1 (1940)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Imamu Amiri Baraka

Formerly Leroi Jones, 1934-2014). American poet and playwright. Dutchman, a taut one-act play, part realistic, part ritualistic, crystalizing the conflicts between white and black cultures, established Baraka as an important force in stimulating black playwriting and production. Slave Ship (1967), relies on music and action as much as language to unfold its haunting story. Baraka’s theater is aggressive and provocative, yet lyrical in its theatrical effect. His prolific output of essays and poetry includes Preface to a Twenty Volume Suicide Note (1961) The Dead Lecturer (1964), Black Magic (1969) and Hard Facts (1976); his work is collected in Selected Plays and Prose and Selected Poetry (both 1979). Two other works appeared in 1979: a collection of poetry AM/TRAK and Spring Song. Reggae or Not, prose writings, appeared in 1981. Baraka’s later works have become increasingly polemical and separatist, causing many white liberals to desert him. He also published The Music: Reflections on Jazz and Blues (1987), Shy’s Wise: The Griot’s Tale (1994), and Jesse Jackson and Black People (1994).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

James Baldwin

(1924-1987) American novelist and essayist. Baldwin’s first novel, Go Tell It on the Mountain, about the religious awakening of a fourteen-year-old black youth, was based closely on Baldwin’s own experience as a young storefront preacher in Harlem. His subsequent novels, including Giovanni’s Room (1956), Another Country (1962), Tell Me How Long the Train’s Been Gone (1968) and If Beale Street Could Talk (1974), are movingly written accounts of emotional and sexual suffering and growth, often played out against the background of social intolerance toward freely expressed sexuality (particularly homosexuality) as well as racism. Baldwin was a distinguished essayist whose nonfiction works include Notes of a Native Son (1955), Nobody Knows My Name (1961), and The Fire Next Time, all passionately angry indictments of an American society that institutionalizes race discrimination. In his own protest against inhumane conditions, Baldwin left the U.S. at twenty-four to live in France, where most of his work was written; he returned to America in 1977. He also wrote plays, such as The Amen Corner (1955), Blues for Mister Charlie (1964), and One Day, When I Was Lost (1973), a script based on The Autobiography of Malcolm X. Baldwin’s sixth novel, Just Above My Head (1979), is a thirty-year saga of a group of Harlem friends whose individual odysseys through wars, poverty, and the civil rights struggle bring them to various fates. In 1985 he published The Price of the Ticket: Collected Non-Fiction, 1948-1985, and in 1986, Evidence of Things Not Seen, an analysis of racism in the light of the Atlanta murders of black children.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Claude Browne

(1937-2002) American writer. Brown’s reputation rests primarily on his best-selling autobiographical novel, Manchild in the Promised Land, which depicts his upbringing in Harlem, experiences in a succession of correctional institutions, and eventual escape from the ghetto when he goes to college. The Children of Ham (1976) is a collection of sketches of a group of Harlem adolescents and their attempts to survive in a living hell dominated by heroin.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Mariama Ba

(1929-1981) Senegalese novelist and activist. Despite the brevity of her writing career, Mariama Ba’s published novels secured her an international reputation. Une Si longue letter (1979; tr So Long a Letter), her first novel, won the first Noma Award for Publishing in Africa at the 1980 Frankfurt Book Fair. Le Chant ecarlate (tr Scarlet Song, 1981), her second novel, was published posthumously and also gained international attention. Ba’s works examine such issues and polygamy, clitoridectomy, and woman’s ability to transcend the negative consequences of the irresponsible use of power in a traditional Muslim and patriarchal society. The novels affirm the ability of women to experience such potentially devastating  situations, and yet move beyond victimization to action and wholesome self-expression.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Ralph Ellison on Pluralism

“America is woven of many strands; I would recognize them and let it so remain…. Our fate is to become one, and yet many—this is not prophecy, but description.”

Ralph Ellison

Invisible Man epilogue (1952)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.