Tag Archives: fiction/literature

Bury My Heart at Wounded Knee

“Bury My Heart at Wounded Knee: A historical study (1971) by Dee Brown (1908-2002) of the conquest of the American West and the destruction of the Native American tribes. The title comes from the last verse of a poem ‘American Names’ (1927), by Stephen Vincent Benet (1898-1943):

‘I shall not rest quiet in Montparnasse.

I shall not lie easy in Winchelsea.

You may bury my body in Sussex grass.

You may bury my tongue at Champmedy.

I shall not be there. I shall rise and pass.

Bury my heart at Wounded Knee.’

Wounded Knee, in South Dakota, was the site of a massacre of Teton-Sioux by US forces on 29 December 1890, in which at least 150 Native Americans and 25 US soldiers were killed. It marked the final suppression of Native American resistance. In the Wounded Knee protest of 1973, two years after the publication of Brown’s book, some 200 armed members of the American Indian Movement occupied the symbolic site. The occupation ended after a 70-day siege, but helped to focus international attention on the US government’s treatment of Native Americans.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Boilerplate

“Boilerplate (noun): Standard, stereotypical news stories, features, etc., syndicated to newspapers; ready-to-print copy; pedestrian or hackneyed writing (from the printer’s matrix or plate form). Adj. boilerplate

‘In newspaper jargon, you might call all this the boiler plate of the novel—durable informative matter set up in stereotype and sold to country newspapers as filler to eke out a scarcity of local news, i.e of ‘plot.’ And the novel, like a newspaper boiler plate, contains not only a miscellany of odd facts but household hints and how-to-do-it instructions (you can learn how to make strawberry jam from Anna Karenina and how to reap a field and hunt ducks).’ Mary McCarthy, On the Contrary”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Rotten Reviews: Son of the Morning Star

“Unfortunately, the big story often seems to elude Connell, who is obsessed with digression, flashback, and flashforward.”

Commentary

 “This do-it-yourself kit will appeal to those who think confusion is a narrative strategy.”

J.O. Tate, National Review

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.    

The Algonquin Wits: Dorothy Parker in Rare Form

“Describing a guest at one of her parties: ‘That woman speaks eighteen languages and can’t say “No” in any of them.’”

Dorothy Parker

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Rotten Reviews: Notes from a Bottle Found on the Beach at Carmel

 Rotten Reviews: Notes from a Bottle Found on the Beach at Carmel

 “…almost pure gingerbread. It has bite, a certain flavor, but it turns into a gluey mess when chewed.”

 San Francisco Examiner

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.    

Book of Answers: Arthur Conan Doyle

“Did Arthur Conan Doyle write any other books besides those featuring Sherlock Holmes? Yes, more than ten others, including science fiction and historical fiction. They include Micah Clarke (1889), The White Company (1891), and The Lost World (1912).”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Caricature

“Caricature (noun): Exaggerated, distorted, of oversimplified representation of someone of something, as by accenting certain qualities or traits, whether intentionally for ludicrous effect or unintentionally, as in a too broadly or shallowly fictional character; gross or reductive imitation. Adjective: caricaturable, caricatural; noun: caricaturist; verb: Caricature.

‘As always with Mcaulay, the portrait was exaggerated—a caricature rather than a portrait—but, alas, caricatures usually include more than a grain of truth?’ J.H. Plumb, The New York Times.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

C.P. Snow

Snow, C(harles) P(ercy) later Baron Snow (of the City of Leicester) (1905-1980) British novelist, scientist, and government administrator. Snow was a molecular physicist at Cambridge University for some 20 years and served as an advisor to the British government. His 11-novel sequence Strangers and Brothers (1940-70), which analyzes bureaucratic man and the corrupting influence of power, includes The Masters (1951), The New Men (1954), and Corridors of Power (1964). The Two Cultures and the Scientific Revolution (1959) and later nonfiction works deal with the cultural separation between practitioners of science and literature.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Book of Answers: Jeeves’s Boss

“Who was Jeeves’s boss? Bertie Wooster, a young man-about-town in P.G. Wodehouse’s stories beginning with My Man Jeeves (1919). Jeeves was his valet.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Book of Answers: Walt Whitman and Ralph Waldo Emerson

“Upon the publication of Leaves of Grass, who wrote to Walt Whitman, ‘I greet you at the beginning of a great career.’ Ralph Waldo Emerson in 1850. The complete salutation is: ‘I greet you at the beginning of a great career, which yet must have had a long foreground somewhere for such a start.’ Whitman was thirty-six at the time of the book’s publication.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.