Tag Archives: fiction/literature

Benito Perez Galdos

“Benito Perez Galdos: (1843-1920) Spanish novelist. In the 1870s he began a cycle of 46 short historical novels, Episodios nacionales (1873-1912), that earned him comparison with Honore de Balzac and Charles Dickens. Some of his finest works chronicle contemporary Spain, including The Disinherited Lady (1881) and his masterpiece, Fortunata y Jacinta (1886-87), a study of two unhappily married women. His earlier works showed a reforming zeal and anticlericalism, but after the 1880s he displayed greater sympathy for Spain and it idiosyncrasies, as in Nazarin (1895), Compassion (1897), and a series featuring the character Torquemada. He also wrote plays, some very popular, but of less artistic value, He was regarded as Spain’s greatest novelist since Miquel de Cervantes.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Jorge Luis Borges

“Jorge Luis Borges: (1899-1986) Argentinean short-story writer, essayist, poet, and man of letters. Borges was one of the first Latin American writers to achieve international as well as national fame. His reputation rests equally on his poetry, fiction, and critical/philosophical works. Borges’s writing is unmistakably local in the realities it perceives but is universal in its conceptions, manifesting the ultimate metaphysical preoccupations of man—time, destiny, and the absurdity of human existence. One of Borges’s most famous images is that of life as a labyrinth though which one passes, vainly seeking to understand the many facets of human existence. Only art can triumph over the chaos of existence, crystallizing and unifying experience and providing a sense of structure, validity, and form. His writing, which is a blend of myth, fantasy, symbolism, and erudition, has had a considerable influence on the attitudes and styles of a number of writers. Borges’s eyesight, affected by a congenital disease, deteriorated radically in the 1950s; by 1970 he was almost totally blind and had to rely entirely on dictation for his writing.

Among his many prose works are Ficciones (1944; tr Ficciones, 1962), El Aleph (1949; tr The Aleph and Other Stories, 1970), El informe de Brodie (1970; tr Dr. Brodie’s Report, 1972), El libro de arena (1975; tr The Book of Sand, 1977), Antologia personal (1961; tr A Personal Anthology, 1967), Nuevo essayos dantescos (Nine Dantesque Essays, (1982), Siete noches (1980; tr Seven Nights, 1984), and Los conjurados (The Conspirators, 1985), the last written shortly before his death. His verse has been collected in a translation, Selected Poems: 1923-1967 (1972).

The recipient of many literary awards and prizes, in 1983 Borges was awarded the Legion of Honor and was decorated by France’s President Mitterand for the body of his work.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Tomas Carrasquilla

“Tomas Carrasquilla: (1858-1940) Colombian novelist and writer of short stories, novellas, and cuadros de costumbres. Born in the Andean department of Antioquia, Carrasquilla is first and foremost the painter of Colombian provincial life. His masterpiece is La Marquesa de Yolombo (1926), Set in the late 18th century, it is the story of the energetic dona Barbara Caballero, whose adventures and misadventures are symbolic of the conflicts between colonial Nueva Grande and imperial Spain. Other works include Frutos de me tierra (1896), a realistic novel, and Hace tiempo (193637), as well as numerous short stories and folk tales.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

William Hazlitt on Hypocrites

“We are not hypocrites in our sleep.”

William Hazlitt

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Rotten Reviews: A John O’Hara Omnibus

Sermons and Soda-Water

“The novellas represent no change in Mr. O’Hara’s method. He normally puts everything into a novel, including the kitchen sink complete with stopped drain, plumber, and plumber’s mate, and does this not once, but four or five times per book. The novella form has merely limited the author in a statistical way; one kitchen sink is all he can fit into his predetermined space…

Atlantic Monthly

 The Big Laugh

When O’Hara is good he is very, very good; when he is bad he is writing for Hollywood…an exercise in tedium.”

New York Herald Tribune

The Horse Knows the Way

“One might suggest…that the inhabitants of hell be condemned to an eternity reading stories behind the headlines in American tabloids….John O’Hara’s new collection of short stories brings the whole realm uncomfortably close. It is a punishment to read….”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

Cultural Literacy: John Dos Passos

While I can’t imagine there could be much call for it, I must have produced this Cultural Literacy worksheet on John Dos Passos for some reason, though now I don’t remember why. Perhaps an independent study on Jazz-Age authors? Your guess is as good as mine. In any case this is a half-page worksheet with a reading of one sentence–which at 34 words might require some paring or judiciously placed punctuation for emergent readers and English language learners.

Incidentally, does anyone read Dos Passos any more? I took a crack at Manhattan Transfer about 30 years ago and found it relatively tough sledding. I’ve been meaning to return to it, and perhaps The U.S.A. Trilogy as well. His books remain in print, and he has been designated, by virtue of his inclusion in The Library of America, as one of this nation’s great authors. So someone must still be reading him. His books, I would think, are solidly midlist titles.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Gordian Knot

“Gordian Knot: An intricate problem. Gordias, a peasant, was chosen king of Phyrgia, and dedicated his wagon to Zeus. The wagon yoke was fastened to a pole so cleverly that it was said that whoever undid the knot would reign over the empire or Asia. Alexander cut the know with a single stroke of his sword. Cutting the Gordian knot became proverbial for the decisive, bold completion of a complicated action.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Book of Answers: Christopher Isherwood and Cabaret

What work by Christopher Isherwood was the basis for the musical Cabaret (1968)? Cabaret was based on the play I Am a Camera (1951) by John Van Druten, which was in turn based on Isherwood’sSally Bowles,” a story appearing in Goodbye to Berlin. Isherwood lived in Berlin in the early 1930s.

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Rotten Reviews: The Perfectionists

“…the men are all fatuous and self-centered creatures. This is then a woman’s novel in a narrow and constricting way.”

Saturday Review

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

Cyril Connolly on Civilization

“The civilization of one epoch becomes the manure of the next.”

Cyril Connolly

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.