Elizabeth Hardwick on Reading

“Reading—what sort of subject is this? There are ‘reading scores,’ and ‘my early reading,’ and ‘reading the future.’ There are neurology and pedagogy and linguistics and dyslexia and lipreading. And then there is plain reading for information and pleasure—neither very plain indeed….”

Elizabeth Hardwick

[If you’d like to read the rest of this important essay, you can find it here transcribed as a Microsoft Word Document.]

Excerpted from: Hardwick, Elizabeth. The Uncollected Essays of Elizabeth Hardwick. New York: New York Review of Books, 2022.

The Weekly Text, 8 August 2025: Lesson Seven of a Unit on Writing Reviews

OK–after eight weeks of drafting these posts, this week’s Text is seventh and final lesson plan of a unit on writing reviews. Since this lesson concludes the unit and turns students loose to write their reviews, I have included four Cultural Literacy worksheets as do-now exercises with the idea that students will need at least four days to write and revise their compositions. So here are those documents on hyperbole, nuance, analogy, and paraphrase. Each of these worksheet is a half-page long with short readings and three or fewer comprehension questions.

At this point in the unit, students should have their thoughts on their review outlined, and, therefore, in a final state of organization. So this short organizer is the worksheet for this lesson, and simply asks students a few final clarifying questions on their planned paper. This is for their benefit, and one final clarifying exercise.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Jean Rostand on Adulthood

“To be adult is to be alone.”

Jean Rostand

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Cultural Literacy: Pun

This Cultural Literacy worksheet on the pun as a literary device seems to me particularly useful if one is writing about literature, but may apply to other cultural forms as well–e.g. song lyrics and titles. This is a half-page document with a reading of four sentences and two comprehension questions.

A word about the reading: these sentences are long and complicated and may present significant challenges to struggling or emergent readers. I think you’ll see what I mean when you look at it. In fact, for the students I have historically served, this document is probably inappropriate; in the event that I wanted to teach kids about puns (and incidentally, here in New York City, I’ve never seen this done for the simple reason that knowledge of puns isn’t something that Regents Examinations test for; and yes, this is how idiotic this has become), I would probably significantly rewrite this is I were planning to administer it to struggling or emergent readers, or for students for whom English is a second language.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Warsaw Uprising

“Warsaw Uprising: (August-October 1944) Insurrection in Warsaw in World War II that failed to prevent the pro-Soviet Polish administration from gaining control of Poland. In July 1944, as Soviet troops approached Warsaw, the Polish underground was encouraged to stage an uprising against the Germans. Though wary of Soviet promises of self-government, the Polish home army of 50,000 troops attacked the weakened German force and gained control of most of Warsaw in four days. German reinforcements then bombarded the city with air and artillery attacks for 63 days, The approaching Red Army halted, and the Soviets refused to allow aid from the Allies to the beleaguered Poles, who were forced to surrender when their supplies ran out in October; the Germans then deported the rest of the city’s population and destroyed most of the city itself. By allowing the Polish home army to be eliminated, the Soviets diminished potential resistance to their establishing political domination for Poland in 1945.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Cultural Literacy: Plagiarism

Here is a Cultural Literacy worksheet on plagiarism. This is a half-page worksheet with a reading of three simple sentences and three comprehension questions. I think it judicious, particularly now that we’ve entered the age of artificial intelligence, to remind students regularly of their obligation not to plagiarize.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Doubter’s Companion: Biographical Films

“Biographical Films: Since attention to historical detail ruins filmed drama, the essential property of biographical cinema is that it improves in quality by not telling the truth.

These films, whether describing the lives of American presidents or criminals, French generals or Russian kings, are among the beneficiaries of the ‘big lie’ idea. As a result they have helped to create a modern mythology which erases the Western idea of intellectual inquiry and returns to the pre-intellectual tradition of mythological gods and heroes. This is the context in which the portraits of John Kennedy, James Hoffa, Napoleon and so on can most easily be understood.”

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.

The Weekly Text, 1 August 2025: Lesson Six of a Unit on Writing Reviews

Here, in this Weekly Text, is sixth lesson plan, the penultimate lesson of the a seven-lesson unit on writing reviews. This lesson opens with this Cultural Literacy worksheet on cliche, the utility of which in a lesson on writing reviews I’ll assume needs no explanation. There are two worksheets for this lesson: the first is a mentor text on outlining; the second is a structured outlining worksheet.

And that it’s for this week. Come back next week for the final lesson in this unit.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Museum without Walls

“Museum without Walls: Phrase describing the illustrations and reproductions that today make works of art widely available. Introduced by Andre Malraux in his book The Voices of Silence, 1954.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Cultural Literacy: Parody

OK, moving right along this morning, here is a Cultural Literacy worksheet on parody. This is a half-page worksheet with a one-sentence reading and one comprehension question. A spare, useful definition of this literary concept–and a word that might appear in reviews of a great deal of comedy.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.