Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Leitmotif

“Leitmotif: (German Leitmotiv ‘leading motif’) A term coined by Hans von Wolzugen to designate a musical theme associated throughout a whole work with a particular object, denote a recurrent theme (q.v.) or unit. It is occasionally used as a literary term in the same sense that Mann intended, and also on a broader sense to refer to an author’s favorite themes: for example, the hunted man and betrayal in the novels of Graham Greene.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Term of Art: Spatial-Material Organizational Disorder

“spatial-material organizational disorder: A problem with organizing materials so that the child constantly struggles for survival within an ordered environment.

A child with this problem has a hard time organizing information on pater. Margins are missing, spacing between words and letters is incorrect, centering is difficult, and the overall appearance of the work is messy. Teachers often have trouble reading the child’s work. Often, a child with this problem forgets assignments or books needed to complete assignments. Assignments themselves may be incomplete, or the child cannot find completed assignments.

In addition, a child with this problem is often disorganized and has problems following routines or completing tasks. Desk and home environment are usually messy and disorganized, although the child may appear to have his own system of organization in his own space.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Rotten Reviews: Love and Death in the American Novel

“The author can’t win, ever, by Fiedler’s standard of judgement. Only the critic can win…there is more in American fiction, much more, than Fiedler has been able to find.”

Malcolm Cowley, New York Times Book Review

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.    

Isometric Projection

“Isometric Projection: In architectural drawing, a means of showing a building in three dimensions without foreshortening. The horizontal lines are usually drawn at a thirty-degree angle, the vertical lines are parallel, and all lines are drawn to scale.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Book of Answers: Where the Wild Things Are

“What is the name of the little boy who goes to the country of the Wild Things in Maurice Sendak’s Where the Wild Things Are? Max.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Write It Right: Collateral Descendant

“Collateral Descendant. There can be none: a ‘collateral descendant‘ is not a descendant.

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Classicism

“Classicism (noun): A classical Greek or Roman word or idiom in English, or a term or coinage based on or similar to one from one of the classical languages; classical scholarship, mode or aesthetic ideology based on or allegedly derived from a “classic” epoch. Adjective: classical, classicistic; Noun: classicist; Verb: classicize

‘The artificial facility found vent in his renderings of the Rubaiyat. “Saprous bones,” “somatick atoms,” and aimaterose heart” seem legitimate classicisms; but “methystine lake” requires some explanation as a term for drunkenness.’ Shane Leslie, Introduction to Hadrian the Seventh”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Millions of Angels Dancing on a Pin

“The question of ‘How many angels could dance on a pin’ is often quoted as the essence of medieval scholasticism, a burning issue for the likes of Duns Scotus and Thomas Aquinas. In fact, although Scotus certainly troubled himself over the question of ‘Can several angels be in the same place?’ there is no mention of dancing on pins until it was raised as a mockery in the seventeenth century by Protestant academics. Still, it’s a question that ought to be answered and if we take an angel to be nor more or less than an atom, then 200,000 could fit in the width of a single human hair. More impressively, neuroscientist Anders Sandberg has come  up with the figure of 8.6766×1049 angels, based on theories of information physics and quantum gravity.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Dr. Gholdy Muhammad on Education and Social Conditioning

“As we consider classrooms today, educators must be aware that previous social conditioning isn’t just a thing of the past but still manifests today. If a society tells children they aren’t good enough through television, songs, cartoons, or other forms of media, they may still think they aren’t capable of the intellectualism I am describing in the book. Additionally, this is exacerbated when teacher education programs and K-12 classrooms do not explicitly teach Black and Brown excellence. And I’m not just talking about teaching this history during one month of the school year–this excellence needs to be embedded in the culture and fabric of the school. Culture, race, and cultural responsiveness cannot be packaged in a program or restricted time frame….”

Excerpted from: Muhammad, Dr. Gholdy. Cultivating Genius: An Equity Framework for Culturally and Historically Responsive Literacy. New York: Scholastic, 2020.

Main Clause

“Main Clause, also principal clause. A clause in a sentence to which other clauses are subordinated, and which is not itself a subordinate clause. In a simple sentence, the main clause is the entire sentence. In a compound sentence, there is more than one main clause. Complex sentences contain a main clause and one or more subordinate clauses.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.