Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Coherence

“Coherence (noun): Order and sense in expression, or ease and interrelationship in arrangement of thoughts or parts of a sentence; logical consistency or clarity of syntax. Adjective: coherent; Adverb: coherently; Verb: cohere.

“Every man in the chapel hoped that when his hour came he, too, would be eulogized, which is to say forgiven, and that all of his lapses, greeds, errors, and strayings from the truth would be invested with coherence and looked upon with charity.’ James Baldwin, Notes of a Native Son.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Admiral Rickover on God and Bureaucracy

“If you are going to sin, sin against God, not the bureaucracy. God will forgive you, but the bureaucracy won’t.”

Hyman Rickover

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Fisher King

“Fisher King: One of the chief characters in medieval legends dealing with the quest for the Holy Grail. The Fisher King was the keeper of the Grail relics, including the spear of Longinus used to wound Jesus as he hung on the cross. The Fisher King suffered from a wound made by the same spear. The wound destroyed the Fisher King’s virility and, by a sympathetic transference, turned his realm into a wasteland. A new and purer guardian of the relics, in the form of the Grail hero, must intervene (see GALAHAD). The task of the hero is not simply to find the relics themselves, which had been stolen, but also to free the king so he may die a peaceful death and bring life and fertility back to the king’s realm. See WASTE LAND, THE.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Systematic Phonics

“systematic phonics: Direct reading instruction that explicitly teaches the relationships between letters and sounds in a sequence of interconnected lessons.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Millefiori

“Millefiori: (It., a thousand flowers) Glassmaking technique in which rods of colored glass are fused, after which the bundled mass is cut transversely. The flower-like sections are used for beads and also embedded in clear glass for decorative effects.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

12 Olympian Gods

Zeus (Jupiter) * Hera (Juno) * Poseidon (Neptune) * Aphrodite (Venus) * Athena (Minerva) * Apollo (Apollo) * Artemis (Diana) * Hermes (Mercury) * Dionysus (Bacchus) * Hades (Pluto) * Aries (Mars) *Hephaestus (Vulcan) * Hestia (Vesta)

The cult of six female goddesses paired with six male gods came to Greece from western Anatolia during the Iron Age, though the doubling up of a trinity of female goddesses, and then giving the appropriate male counterparts, was a familiar aspect of many ancient cultures. Hercules is first credited with organizing sacrifices to all twelve of the great gods who dwelt on Mount Olympus and the oldest such altar was associated with Athens. The precise names of the Olympian pantheon would shift during 1,000 years of worship, which is why thirteen deities have been listed. Hades, as Lord of the Underworld, was vulnerable to downgrading, especially in favor of Hestia/Vesta, while at other times Hephaestus could be exchanged for Hercules, and in the early period Dionysus held an equivocal position.

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Colloquialism

“Colloquialism (noun): Spoken of conversational expression; familiar or informal English that falls between standard English and slang; everyday speech; an informal word or expression, or (loosely) a local or dialectical usage.

‘I had to learn American just like a foreign language. To learn it, I had to study and analyze it. As a result, when I use slang, colloquialisms, snide talk or any kind of off-beat language I do it deliberately.’ Raymond Chandler, Raymond Chandler Speaking.

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Reinaldo Arenas

“Reinaldo Arenas: (1943-1990) Cuban novelist. A great innovator with an inexhaustible poetic imagination, Arenas suffered years of repression of his ‘lack of realism’ and supposed decadence, as well as for his political dissent and open homosexuality. He exiled himself to New York in 1980. The novel that launched Arenas was El mundo alucinante (1969; tr Hallucinations, 1971), an allegorical reconstruction of the adventures of Fray Servando Teresa de Mier, a Mexican priest of the late 18th century, whose subversive mystical thought paved the way for Mexican independence. Arenas’s central work was ‘pentagony’ of five novels dealing with life in Cuba before and after Castro, consisting of Celestino antes del alba (1967; tr Singing from the Well, 1988); El palacio de las blanquistas mofetas (The Palace of the Very White Skunks, 1980); Otra vez del mar (1982; tr Farewell to the Sea, 1986); El color del verano (The Color of Summer, 1991); and El asalto (1991; tr The Assault, 1993). Other books include La vieja rosa (1980; tr Old Rosa, 1989), depicting a woman’s aging process within a society whose traditional values have been profoundly altered, and Arturo, la Estrella ms brillante (1984; tr Arturo, the Shining Star, 1992), about the traumatic experiences of a homosexual in a concentration camp. Ill with AIDS and no longer able to write, Arenas committed suicide in 1990 after completing his last works. He left two extreme visions of himself, the tender recollections of Adis a Mam (Good-bye to Mama, 1994) and his controversial autobiography, Antes que anochezca (1992; tr Before Night Falls, 1993), which portrays his troubled youth and sexual excesses.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Carlos (Andres) Perez (Rodriguez)

“Carlos (Andres) Perez (Rodriguez): (1922-2010) President of Venezuela (1974-79, 1989-93). He began his political career at 18. A founder of Democratic Action (AD), he was elected president in 1973 with the support of the liberal Romulo Betancourt. He nationalized the oil industry while retaining experienced foreign personnel to ensure efficiency, slowed production to conserve resources, and stimulated small business and agriculture, and channeled petroleum income into hydroelectric projects, education programs, and steel mills. Reelected in 1989, Perez promoted free market economic reforms. After surviving two attempted coups, he was imprisoned in 1993 on charges of embezzlement and misuse of public funds.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Salvador Elizondo

“Salvador Elizondo: (1932-2006) Mexican writer. Linked to the post-Boom writers like Sarduy and Rodriguez Julia, Elizondo is a writer’s writer, with a strong affinity to Borges. In junior high school he lived in in California, which would form the setting for his novella Elsinore (1988). His first collection of stories, Narda o el Verano (1964), contained ‘Historia de Pao Cheng,’ in which the title character leans over a writer’s shoulder to find out that he is a character in the story, and that, should the story end, he will die. The tale synthesizes many of Elizondo’s concerns about the nature of the creative process, the role of the writer and reader, and forms the basis of his novel El hipogeo secreto (1968). Farabeuf (1965; tr Farabeuf, The Chronicle of an Instant, 1992), his first novel, won the Villaurrutia Prize and established him internationally. It chronicles the obsession of a couple with a Chinese form of torture known as ‘Leng t’che,’ but through the use of images and ideograms becomes a hallucinatory, exquisitely written meditation on the insufficiencies and dangers of words. Elizondo has published a play, Miscast (1981), and books of critical prose, including Estanquillo (1993). His Cuaderno de Escritura (1969), ‘a writer’s notebook,’ contains a phrase that admirably sums up his aesthetic: ‘Scribo ergo sum.’”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.