Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Jerome Bruner on Understanding and Interpretation

I. “Understanding unlike explaining, is not preemptive; for example, one way of construing the fall of Rome narratively does not rule out other interpretations. For narratives and their interpretations traffic in meaning, and meanings are intransigently multiple…. Since no one narrative construal rules out alternatives, narratives pose a very special issue of criteria.”

II. “In a word, narrative accounts can be principled or not but do not rest on stark verification alone, as with scientific explanations. Any constitutional lawyer worth his salt can tell you how Justice Taney’s way of construing history in the Dred Scott decision was excruciatingly tunnel-visioned, unmindful of competing perspective, and therefore lethal in its consequences.”

Jerome Bruner

The Culture of Education

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

The Algonquin Wits: Robert Benchley Requests a Taxi

“Coming out of a midtown restaurant, Benchley spotted a uniformed man at the door. ‘Would you get us a taxi, please,’ he asked the man. ‘I’m sorry,’ the man said coldly, ‘I happen to be a rear admiral in the United States Navy.’ ‘All right then,’ said Benchley, ‘get us a battleship.'”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Brewer’s Curious Titles: Tarzan

“The famous foundling reared by apes in the African jungle was created in 1912 by Edgar Rice Burroughs (1875-1950), Tarzan has had countless adventures in novels and films, in which he communes with animals, rescues damsels in distress and discovers long lost civilizations. The first novel of 24 in which he appears is Tarzan of the Apes (1914). In the ‘monkey language’ that Burroughs invented for him, his name means ‘white’ from tar, and zan, ‘skin.’ He is given this name by his foster-mother, Kala the ape. The name came to be adopted for any apparent ‘he-man’ and was bestowed by the media on the Conservative politician Michael Heseltine (b. 1933), not only for his height and blond hair but also with reference to an incident of 1976 when he brandished the House of Commons mace to protect it. Tarzana, now a suburban residential section of Los Angeles, was named in honour of Tarzan.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Book of Answers: C. Auguste Dupin

“What detective did Edgar Allen Poe invent? C. Auguste Dupin, the coolly logical amateur sleuth of three stories published in the 1840s: ‘The Murders in the Rue Morque,’ ‘The Mystery of Marie Roget,’ and ‘The Purloined Letter.’”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

John Dewey on Instructional Planning

“No experience is educative that does not tend both to knowledge of more facts and entertaining of more ideas and to a better, a more orderly arrangement of them…. Experiences in order to be educative, must lead out into an expanding world of subject matter…. This condition is satisfied only as long as the educator views teaching and learning as a continuous process of reconstruction of experience.”

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

Grant Wiggins and Jay McTighe on Coverage and Uncoverage

“We thus uncover for students what is interesting and vital by revealing it for what it is: a shorthand phrase for the result of inquiries, problems, and arguments, not a self-evident fact. A course design based on textbook coverage only will likely leave students with inert phrases and an erroneous view of how arguable or hard-won knowledge has been. Rather, students need to experience what scholars know if they are to understand their work: how key facts and principles are the revealing and powerful fruit of pondering, testing, shaping, and rethinking of experience….”

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

The “Exit Ticket”

[The “exit ticket” was all the rage in the last school in which I served in New York City. The peculiarity of the term notwithstanding, the concept is pedagogically sound—particularly when questions are both broad and focused, like these two, which are apparently in common use in classrooms at Harvard.]

  1. What is the big point you learned in class today?
  2. What is the main unanswered question you leave class with today?

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

A Writing Prompt from Edmonton, Alberta

[Here’s a writing prompt from the Great White North.]

“Imagine that your Uncle is a Hollywood film producer and has asked for your ideas for a possible new movie. Because many movies are based on books, he has asked you to tell him about a book you’ve read that you think would make a good movie. Write a letter to your uncle and describe a book that you enjoyed and explain why you think it would make a good movie.

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

Howard Gardner on Assessing for Understanding

“Whereas short-answer tests and oral responses in classes can provide clues to student understanding, it is generally necessary to look more deeply…. For these purposes, new and unfamiliar problems, followed by open-ended clinical interviews or careful observations, provide the best way of establishing the degree of understanding obtained.”

Howard Gardner

The Unschooled Mind: How Children Think and How Schools Should Teach

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

A Learning Support on Aesthetic Criteria for Reviews

A little over a decade ago, I worked for a couple of years in a middle school in the North Bronx. While there, I developed a short unit on writing reviews. Somewhere in along the way, across that ten-year span, I lost the unit (it took me a while, as a slow learner on these things, to master data storage), but somehow hung onto its templates. Those are in a folder awaiting redevelopment; I do think teaching students to write reviews is a good way to guide them to a broader understanding of culture in general, and the elements of culture in particular.

While rummaging around in some old folders, I found this learning support on aesthetic criteria for writing reviews. I remember distinctly that these lists were student generated. I acted only as a Socratic foil by asking questions to clarify terms.

At some point, I’ll get back to writing the unit this document was meant to support, and post its lessons in these pages.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.