Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Mikhail Mikhailovich Bakhtin

[Bakthin was all the rage, and his work justly influential, when I was an undergraduate in the early 1990s. When I was in the used book business, his books were scarce and therefore easily saleable. I include him here because I myself found Problems of Dostoevsky’s Poetics a fascinating book, but also because Bakthin was part of a circle of intellectuals in the Soviet Union that included the educational theorist Lev Vygotsky.]

“Bakhtin, Mikhail Mikhailovich: (1895-1975) Russian philosopher and literary critic. In 1929, Bakhtin was sentenced to six years’ exile in Kazakhstan and subsequently sought obscurity to hide from Stalin’s purges. Bakhtin introduced the notion of novelistic discourse as distinct from poetry; he characterized it as inherently ‘dialogical’ and open-ended, with potentially parodic and surprising features. His work began to be will-received in the 1950s, and he published Problems of Dostoevsky’s Poetics (1929; 2nd ed 1963; tr 1984) and Rabelais and His World (1965; tr 1968). Bakhtin might have also been the author of the more ostensibly Marxist works of Voloshinov (Marxism and the Philosophy of Language, 1929; tr 1973) and Medvedev (The Formal Method in Literary Scholarship, 1928; tr 1978). Bakhtin’s ideas about dialogue were also developed in ethical discussions of aesthetics in Art and Answerability (tr 1990). His concept of the “carnivalesque,” a disruptive and parodic genre of social behavior, is notorious.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

A Lesson Plan on the Crime and Puzzlement Case “Bankward Ho!”

Since these continue to be a very popular item on Mark’s Text Terminal, here is a complete lesson plan on the Crime and Puzzlement case “Bankward Ho!”

I start this lesson with this Cultural Literacy worksheet on the idiom “You Can’t Teach an Old Dog New Tricks.” To conduct this lesson, of course, you will need this PDF of the illustration and questions that are the center of the “case.” Finally, here is the typescript of the answer key.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: One Hundred Years of Solitude

“What family’s and what village’s history are recounted in Gabriel Garcia Marquez’s One Hundred Years of Solitude? The novel tells the story of seven generations of the Buendia family in the village of Macondo.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Five More Basic Multiplication Worksheets

OK, heading into the weekend I want to have my desk clear, so here is a second set of five basic multiplication worksheets along with the multiplication table that supports the work these documents prescribe.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Mayan Calendar’s 52-Year Cycle

“The Mayan Calendar’s 52-Year Cycle: The Mayan’s fifty-two-year cycle is created by observing how the combination of their two simultaneous calendars—the 260-day-long Tzolk’in fertility calendars and 365-day-long Haab solar year—fitted into a naturally repeating cycle over a fifty-two year time span.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Intarsia

“Intarsia: Decoration of a wood surface by inlaying a design in such materials as mother-of-pearl, metal, ivory, etc.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Five Basic Multiplication Worksheets

Here are five basic multiplication worksheets that are designed to be used with this this multiplication table. As you can see by the title of these documents, they are intended to aid students in mastering the basic multiplication table–even though the one here is expanded, like all documents on Mark’s Text Terminal, it is in Microsoft Word and can be easily modified for your use.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Auteur Theory

“auteur theory: A theory of film criticism and analysis that derived from the writings of Francois Truffaut, Jean-Luc Godard, Eric Rohmer, and others, which appeared in the influential magazine Cahiers du cinema in the early 1950s. In an article printed in Cahiers in 1954, Truffaut proposed “la politique des auteurs” in an effort to free directors from traditional script-dominated films. Truffaut and his colleagues, who were to become the vanguard of the New Wave, held that, although films are collaborative efforts, they should ultimately bear the artistic stamp of the director, whose personal vision creates the film as an author (auteur) would create a book. The theory was first championed in the U.S, by the critic Andrew Sarris.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Claribel Alegria

“Claribel Alegria: (1924-2018) Salvadoran writer, born in Nicaragua. Alegria has published poetry, novelas, and novels. Her work ranges from the intimate lyric to agonized denunciation of the horrors that have beset Central America. Her Sobrevivo (1978) won the Casa de las Americas award in poetry. She excels at a narrative poetry that that is compact, tender, fanciful, and even fantastic, Alegria deals with love, solitude, family life, and injustice from a political and feminist stance, as in La mujer del Rio Sampul (1987; tr Woman of the River, 1990). She has coauthored many books with her husband, Darwin J. Flakoll, particularly testimonial accounts of the Nicaraguan revolution and the lives of Salvadoran women. Cenizas de Izalco (1966; tr Ashes of Izalco, 1989) is a recreation of the peasant uprising of 1932. Luisa en el pais de la realidad (1987; tr Luisa in Realityland, 1987) is an experimental novel.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

E.H. Gombrich on the Origins of Language

“Do you know what else these cavemen invented? Can’t you guess? They invented talking; they invented having real conversations with one another, using words. Of course animals also make noises—they can cry out when they feel pain and make warning calls when danger threatens, but they don’t have names for things as human beings do. And prehistoric people were the first creatures to do so. They invented something else that was wonderful too: pictures. Many of these can still be seen today, painted on the walls of caves. No painter alive today could do better. The animals they depict don’t exist anymore, they were painted so long ago. Elephants with long thick coats of hair and great, curving tusks—wooly mammoths—and other Ice Age animals.”

Excerpted from: Gombrich, E.H. Trans. Caroline Mustill. A Little History of the World. New Haven: Yale University Press, 2005.