Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Write it Right: Advisedly for Advertently, Intentionally

“Advisedly for Advertently, Intentionally. ‘It was done advisedly’ should mean that it was done after advice.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Term of Art: Skill

“Skill: In everyday speech, skill means a relatively precise set of manual or mental techniques which, though they may depend on aptitude, have to be learned through training or schooling. Sociological work, though not denying this aspect of skill, is primarily concerned with the management of skill; that is, how skill is defined, constructed, and recognized. Since the publication of Harry Braverman’s work in the 1970s, much scholarship has been devoted to examining Karl Marx’s claim that ‘valorization’ in the capitalist labor process requires a continual attempt to de-skill expensive forms of labor. De-skilling means either the disintegration and mechanization of craft techniques; or a refusal adequately to recognize established or new capabilities still required of the worker. The latter is very common in women’s employment. Many writers, Marxist and non-Marxist alike, argue that de-skilling is not inevitable. Workers, individually or through trade unions, may resist mechanization, or insist that de-skilled processes are reserved for workers with established training, who continue to be paid a premium for their displaced skills. Also, employers may upgrade (or ‘upskill’) workers; because they wish to recognize and retain dependable or experienced workers; or to control and inhibit labor unrest; or because, notwithstanding Marx, the development of technology has created new skills in place of older ones. In any case, jobs may be de-skilled without necessarily implying the de-skilling of individual workers, or indeed the labor force as a whole. A selection of empirical case studies are reported in Roger Penn et al (eds.), Skill and Occupational Change (1994).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

The Algonquin Wits: George S. Kaufman Addresses a Critic

Kaufman was seldom open to outside suggestions concerning his work, especially from persons he didn’t know. One self-appointed critic, on being snubbed by G.S.K. remarked, ‘Perhaps you don’t know who I am?’

‘That’s only part of it,’ said Kaufman.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Makemono

“Makemono: Far Eastern painting on a long horizontal scroll; such a painting on a hanging vertical scroll is a kakemono.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Marxism

“Marxism: Provides an analysis exposing the social relations that operate in the production of material goods. Marxist art critiques demystify the relationship between artists and patrons, demonstrating who supports whom and why. By exposing the market forces weighing on artists, such an analysis demonstrates how both aesthetic and monetary value may be ascribed to artworks (see commodification). As a political ideology, it has influenced the modern muralists Diego Rivera and Jose Clemente Orozco as social realists. Recently, Hans Haacke has created Marxist artworks exposing pervasive corporate sponsorship in the art world.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Buson

Buson: (1716-1783) Japanese painter and haiku poet. Buson is generally ranked next to Matsuo Basho as the greatest haiku poet of the Tokugawa period. An artist of extraordinary creative range, Buson reinvigorated the traditional haiku genre and infused it with new descriptive realism. As a great painter in the bunjin, or literati, style, Buson paid homage to classical Chinese and Japanese sources. Buson’s poetry is noteworthy for its detachment from the conventions of poetic linking and group poetic practice; thus it points the way to the modern, autonomous haiku poetry associated with Masaoka Shiki, for whom Buson was a revered forerunner.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Samurai

“Samurai: (from Japanese. “those who serve”) Warrior retainers of Japan’s daimyo (feudal lords). Prominent from the 12th century, they were not a separate class until Hideyoshi limited the right to bear arms to them, after which they became a hereditary caste. Their two swords were their badge. Their conduct was regulated by Bushido (Warrior’s Way), a strict code that emphasized the qualities of loyalty, bravery, and endurance. Their training from childhood was Spartan. Their ultimate duty when defeated or dishonored was seppuku, ritual self-disembowelment.”

Excerpted from: Wright, Edmund, Ed. The Oxford Desk Encyclopedia of World History. New York: Oxford University Press, 2006.

Book of Answers: V.S. Naipaul

“What is V.S. Naipaul’s nationality? The essayist and novelist was born in Trinidad in 1932 of Indian parents. He has lived in England since 1950.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Bushido

bushido: Jap, ‘way of the warrior’) At first an unwritten code of ethics, devised for the moral and spiritual guidance of the entire military class by military leaders during the Kamakura period, bushido was codified during the Tokugawa regime. Emphasis was always placed upon personal and reciprocal loyalty and duty, both among samurai and between samurai and lord. But the Tokugawa period, the code had evolved to incorporate both the aesthetic and ascetic elements that are contained in Zen discipline.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

F., Fe., Fec., Fecit

“F., Fe., Fec., Fecit: (Lat., fecit, fecerunt= has made it) On a print, signifies that the artist whose name it follows was the etcher or engraver. Used like indicit and sculpsit.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.