Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

The Devil’s Dictionary: Libertarian

“Libertarian, n. One who is compelled by the evidence to believe in free-will, and whose will is therefore free to reject that doctrine.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Cannonball Adderley

Cannonball Adderley: (orig. Julian Edwin) (1928-1975) U.S. saxophonist, one of the most popular jazz musicians of the 1950s and ‘60s. Adderley was born in Tampa, Florida, and worked as a music teacher before moving to New York in 1955. Arriving shortly after the death of Charlie Parker, he was hailed as Parker’s stylistic successor. He performed with Miles Davis from 1957 to 1959, then led an ensemble with his brother, cornetist Nat Adderley (1931-2000). Also influenced by Benny Carter, Adderley’s playing showed a strong blues inspiration, and his music in the 1960s reflected the introduction of gospel-music harmonies. He died following a stroke at age 46.

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Term of Art: Cognitive Style

“cognitive style: The preferred way an individual processed information, usually described as a personality dimension that influences attitudes, values, and social interaction. Unlike individual differences in abilities that describe peak performance, styles describe a person’s typical mode of thinking, remembering, or problem solving. Having more of an ability is usually considered beneficial, while having a particular cognitive style simply denotes a tendency to behave in a certain manner.

Field Independence/Dependence A number of cognitive styles have been identified and studies over the years; field independence/field dependence is probably the most well known. Individuals view the world in different ways. Those who are called “field-dependent” perceive the world in terms of larger patterns and relationships, whereas those who are “field-independent” perceive the world in terms of discrete elements–they look at the pieces that make up the whole.

Most schools in Western culture favor a field-independent approach, rewarding students who tend to work and organize information on their own. These learneer are objective in that they make what is being studies into an object to be analyzed and understood.

Studies have identified a number of connections between this cognitive style and learning. For example, field-independent individuals are likely to learn more effectively by studying by themselves, and are influenced less by social reinforcement.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Write It Right: Both Alike

“Both alike. ‘They are both alike.’ Say, they are alike. One of them could not be alike.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Cultural Literacy: Lenin

Here is a Cultural Literacy worksheet on V.I. Lenin

Did you know that his real name was Vladimir Illyich Ulyanov? You can see from his patronymic that his father was named Ilya Ulyanov. Interestingly, given Lenin’s later revolutionary activity against the Russian state and its underlying structure of rank and status, Ilya Ulyanov was elevated by dint of education and talent to the position of Active State Councillor, which endowed him with the status of hereditary nobility

Lenin’s older brother, Alexander Ulyanov, on the other hand, fell in with the Narodnaya Volya, which attempted on March 1 1887 (six years to the day after the assassination of Emperor Alexander II) to assassinate Emperor Alexander III. Alexander Ulyanov was arrested, tried, and hanged along with his four co-conspirators for this failed plot.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Adjective

“adjective: Defined traditionally as a word added to a noun, which characteristically denotes a property of whoever or whatever is referred to. One function therefore is as a modifier: e.g. tall in tall men is an adjective modifying men. Another is in predicative position: e.g. that of tall in These men are tall.

Adjectives were included in antiquity in the same part of speech as nouns. Distinguished in the later Middle Ages, as ‘nouns adjective’ in contrast to ‘nouns substantive’; and so called, still, in the early decades of the 20th century.

An adjectival element is on either forming or having the role of adjectives: e.g. -less in clueless is an adjectival affix; English participial adjectives in -ed, such as interested in very interested, have been called ‘adjectival passives.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Walter Page Hines on Woodrow Wilson

“The air currents of the world never ventilated his mind.”

Walter Page Hines on Woodrow Wilson

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Winer Werkstatten

Winer Werkstatten: (Ger., Vienna workshops) An organization of designers and craftsmen established in Vienna in 1903 which espoused the aesthetic principles of the Arts and Crafts movement, but expressed them in a distinct style akin to Art Nouveau.

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

La Marseillaise

“La Marseillaise: The hymn of the French Revolution and the national anthem of France. The words and music were written on the night of 24 April 1792 by Claude-Joseph Rouget de Lisle (1760-1835), an artillery officer in the garrison at Strasbourg, in response to a request by the mayor of Strasbourg for a military marching song following the outbreak of war with Austria on 20 April. Its original title was ‘Chant de guerre pour l’armee du Rhin’ (‘war song of the Rhine army’), but it became known as ‘La Marseillaise’ after it was sung in Paris in July 1792 by troops from Marseilles. It has had a checkered career as the French national anthem, being dropped in non-republican phases. It was first adopted in 1795 but banned by Napoleon when he became emperor. The ban continued after the 1815 restoration, but was lifted after the 1830 revolution. It was banned again on the establishment in 1852 of the Second Empire of Napoleon III, and was not readopted until 1879, some years after the establishment of the Third Republic.

Allons, enfants de la patrie,

Le jour de gloire est arrive.

(‘Come, children of the country, the day of glory has arrived.’)”

Claude Joseph Rouget De Lisle: ‘Le Marseillaise’ (1792), opening lines

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

The Devil’s Dictionary: Abstruseness

“Abstruseness, n. The bait of a bare hook.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.