Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

American Scene Painting

“American Scene Painting: A term that has extended and supplanted the term regionalism. It had come to include several movements from the mid-19th to the mid-20th centuries in which painters chose limited areas or aspects of distinctly American landscapes or life as their subjects and rendered them in a direct, usually literal style. Includes the landscapes of Thomas Cole and Albert Bierstadt and the regionalist painters of the Middle West.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Weekly Text, 25 June 2021: A Lesson Plan on the Demonstrative Pronoun

This week’s Text is a lesson plan on the demonstrative pronouns. What are the demonstrative pronouns? They are four simple words: this, that, these, and those. 

I open this lesson with this worksheet on the homophones to, too, and two. In the event the lesson continues into a second day (an eventuality for which I always prepare), here is a second do-now, this one a Cultural Literacy worksheet on italics. The principle work for this lesson is this scaffolded worksheet. To make teaching the lesson a bit easier, here is the teachers copy of the same worksheet I prepared for my own use.

This lesson gives students an opportunity to try out their procedural knowledge, which the lessons prior to this one introduced in various ways, of subject-verb agreement in declarative sentences. These four words have simple, but elegant rules: this and that always govern the use of a singular noun and singular verb form; these and those, of course, govern the use of a plural noun and a plural verb form. I worked in college writing centers for several years, and one of the most common writing lapses that moved people to visit was subject-verb agreement in number. So–stress this skill, I would say.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Arthur Bestor on Intellectual Freedom

“Freedom to think—which means nothing unless it means freedom to think differently—can be society’s most precious gift to itself. The first duty of a school is to defend and cherish it.”

Arthur Bestor, as Quoted in The Teacher and the Taught (1963)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Term of Art: Printing Instruction

“printing instruction: While computer keyboarding skills are becoming more and more a part of writing, printing remains an essential skill. Printing instruction begins in kindergarten where children are taught to write the letters of the alphabet, and continues through third grade until cursive writing is introduced. Problems in forming letters accurately may be cause by poor visual and motor skills. Extreme printing difficulties are called dysgraphia.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

The Algonquin Wits: Alexander Woollcott to Corey Ford

Aleck Woollcott once joined Corey Ford at the Ritz Men’s Bar and informed him, ‘Ford, I plan to spend three days at your house in New Hampshire next week.’ Not overly pleased at the prospect of hosting such a demanding guest, Ford uttered a meek ‘That will be swell.’

‘I’ll be the judge of that,’ Woollcott warned.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Devil’s Dictionary: Finance

“Finance, n. The art or science of managing revenues and resources for the best advantage or the manager. The pronunciation of this word with the i long and the accent on the first syllable is one of America’s most precious discoveries and possessions.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Term of Art: Orton-Gillingham Approach

“Orton-Gillingham approach: A multisensory approach to reading, writing, and spelling born of a theory of reading disabilities devised by Samuel Orton, Anna Gillingham, and Bessie Stillman in the 1930s. Their approach was based on the idea that the brain stores information in both hemispheres; when the connection between the two hemispheres is not fully developed, individuals may read words in reverse.

People with dyslexia have the potential to be accomplished readers and adequate spellers. The ability to achieve this potential depends on two variables: the instructional approach and the amount of practice. The Orton-Gillingham approach to reading and spelling ensure success by developing multisensory techniques for memory and retrieval. This practical teaching technique emphasizes the reading-decoding process.

The teacher introduces the elements of the language systematically, and students are taught letter-sound relationships using all senses: seeing the letter (visual), saying the letter (auditory), and writing the letter (kinesthetic). In this respect, Orton-Gillingham differs from traditional phonics instruction. Once letters are mastered, letters are grouped into blends, and short, structured passages are used for reading and dictation, Infinitely flexible, it is a philosophy rather than a system. The student learns the elements of language-consonants, digraphs, blends, and diphthongs in an orderly fashion.

As students learn new material, the continue to review old material until it becomes automatic. The teacher addresses vocabulary, sentence structure, composition, and reading comprehension in a similar, structured, sequential, and cumulative manner.

At best, the teacher tries to understand how an individual learns and to devise appropriate teaching strategies. In every lesson, the student experiences success and gains confidence as well as skill. Learning becomes a happy experience, The Orton-Gillingham approach is appropriate for teaching individuals, small groups, and classrooms. It is appropriate for teaching in the primary, elementary, and intermediate grades, and at the secondary and college level, as well as for adults.

An Orton-Gillingham approach, while not the only program available, is probably the best-known for helping children with dyslexia learn to read. The fundamental principles on which it is based, including developing phonemic awareness, and suing a multisensory approach, are consider essential components in reading instruction today.

The Orton-Gillingham approach has proven successful with students who have struggled in learning to read and spell through traditional classroom methods, despite normal intelligence, hearing, and vision. It is the program most recommended by experts in the field of dyslexia.

Modern research has continued to confirm Dr. Orton’s theories about the physiological differences experienced by people with dyslexia. Early remediation is most effective; however, these methods have been successfully adapted for use with older students and adults. The result is the development of lifelong language skills and the wonderful feeling of success in the world of written language.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

A Learning Support on Using That and Which

Here is a learning support on using that and which in declarative sentences from Paul Brians’ book, Common Errors in English Usage, which he has helpfully and generously published on the Washington State University website.

I confess that I don’t find this short passage particularly helpful in using these two words, bound up as they are with restrictive and nonrestrictive clauses in sentences (a lesson on which is forthcoming on this blog). That said, this document, like several others of its type, contains only a couple of short paragraphs. So, as a Microsoft Word document with a lot of open space, it is yours to do with as you wish or need.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Germanic Art

“Germanic Art: Art of the migrating Germanic tribes from the 4th to the 9th centuries. Characterized by the near absence of the human figure and preference for animal forms (zoomorphic ornament) and lacertine. Metalwork and jewelry were specialties. Also called barbaric art. See VISIGOTHIC ART.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Write It Right: Business for Right

“Business for Right. ‘He has no business to go there.’”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.