Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Caricature

“Caricature (noun): Exaggerated, distorted, of oversimplified representation of someone of something, as by accenting certain qualities or traits, whether intentionally for ludicrous effect or unintentionally, as in a too broadly or shallowly fictional character; gross or reductive imitation. Adjective: caricaturable, caricatural; noun: caricaturist; verb: Caricature.

‘As always with Mcaulay, the portrait was exaggerated—a caricature rather than a portrait—but, alas, caricatures usually include more than a grain of truth?’ J.H. Plumb, The New York Times.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

C.P. Snow

Snow, C(harles) P(ercy) later Baron Snow (of the City of Leicester) (1905-1980) British novelist, scientist, and government administrator. Snow was a molecular physicist at Cambridge University for some 20 years and served as an advisor to the British government. His 11-novel sequence Strangers and Brothers (1940-70), which analyzes bureaucratic man and the corrupting influence of power, includes The Masters (1951), The New Men (1954), and Corridors of Power (1964). The Two Cultures and the Scientific Revolution (1959) and later nonfiction works deal with the cultural separation between practitioners of science and literature.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Algonquin Wits: George S. Kaufman on Jed Harris

Kaufman once visited the office of Jed Harris, the theater producer, and was received by the unpredictable tycoon stark naked. Accustomed to Harris’ flights of pretentious fancy, Kaufman addressed him calmly: ‘Mr. Harris, your fly is open.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Term of Art: Writing Process

“writing process: A particular approach to writing instruction that has become common in school systems and colleges during the past 25 years. There are many meanings of the phrase ‘writing process,’ but most refer to the concept that writing is part of the thinking process involving many different mental activities over a period of time. Effective instruction in writing teaches students how to generate, organize, and revise their writing, rather than focusing solely on written language structures.

In its early years of development, the process theory of writing instruction focused largely on individual expression and the facilitation of the development of a student’s ‘voice.’ This approach to the writing process was in many ways a reaction to traditional methods of writing instruction, which focused mainly on structural and mechanical elements such as grammar, punctuation, and following paragraph and essay models.

In the early 1980s, Linda Flower and John Hayes developed a theoretical model of writing as a thought process involving a number of different mental activities, including planning, generating, organizing, translating, reviewing, and editing. In their model, any given activity might interrupt any other one at any stage. The Flower/Hayes model continues to be useful, especially for understanding the writing problems of students with learning disabilities and attention disorder. However, the primary contemporary model emphasizes the ways in which writing is a social practice, and focuses on collaborative approaches to developing writing skills and producing written work.

In practical terms, effective writing instruction involves understanding that writing involves different activities of generating, organizing, drafting, and revising, and that incorporates collaborative activities in helping students develop a sense of voice, audience, and using writing as a communication tool.

A process approach to writing is particularly vital for students with learning disabilities, in that it enables them to take the different cognitive tasks involved in writing and spread them over a series of steps and periods of time. For example, a student with dyslexia may benefit from putting off any attention to editing and spelling until late in the process, instead focusing mainly on generating ideas and language first.

Likewise a student with attention deficit disorder may do better by taking out a highly specific approach to planning a paper and mapping out the steps that will be involved, using a checklist to monitor completion of each step.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

A Learning Support on Hyphenation

OK, moving along on this cool, rainy morning in Southwestern Vermont, here is a learning support on hyphenation. Like several others I have posted here recently, this text comes from Paul Brians’ book, which, amazingly, he has made available at no cost on the Washington State University website, Common Errors in English Usage.

As Professor Brians points out, for a full exposition on the rules for hyphenation in English prose one really must consult The Chicago Manual of Style or something like it. This document does supply as much about hyphenation as the high-school, and perhaps even the college, writer needs to know.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Will Rogers on the Advance of Civilization

“You can’t say civilization isn’t advancing; in every war they kill you in a new way.”

Will Rogers

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Bait and Switch

“Bait and Switch (adjective): Describing or pertaining to advertising that offers a product insincerely, with the true intention being to sell another, more expensive or profitable product.

‘Ads that deceive or claims that can’t be backed are no-nos, and techniques such as “bait and switch” in which goods are offered to lure customers to buy higher-priced substitutes are also verboten.’ Bernice Kanner, New York Daily News”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Thematic Maturity

“thematic maturity: The sophistication of writing. Plot development, sentence structure, and cohesion based on an individual’s age and grade are some elements that are considered in evaluating thematic maturity.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Gothic Revival

“Gothic Revival: A picturesque style of architectural and decoration of the 19th century which incorporated adaptations of medieval gothic elements. In architecture, asymmetrical design, verticality, steeply pitched, gabled roofs, and much ornate tracery-derived ornament are seen.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Devil’s Dictionary: Bear

“Bear, n. In the stock market, a broker who, having sold short, uses his customers’ stocks to break the price.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.