Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Alice Childress

“Alice Childress: (1917-1994) American novelist, playwright, and actress. Born in Charleston, South Carolina, Childress was well aware of racism and used her writing as an attempt to change social conditions. Childress joined the American Negro Theater as a young woman and became a prolific playwright. In the 1950s, she wrote Trouble in Mind, one of the first plays with black themes to be produced, and was a peer of such notable black writers as Richard Wright and Lorraine Hansberry. Other notable plays by Childress include Florence, Gold Through the Trees, and Wedding Band (collected, 1971), which was produced at the New York Shakespeare Festival and later broadcast on television. Childress’s novels include When the Rattlesnake Sounds (1975), Rainbow Jordan (1882), and Those Other People (1989). She is best known for the young adult novel A Hero Ain’t Nothin’ But a Sandwich (1973), a blistering account of black urban life.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Frantz Fanon on National Liberation

“National liberation, national renaissance, the restoration of nationhood to the people, commonwealth: whatever may be the headings used or the new formulas introduced, decolonization is always a violent phenomenon.”

Frantz Fanon, The Wretched of the Earth “Concerning Violence” (1961) (translation by Constance Farrington)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Ousmane Sembene

Ousmane Sembene: (1923-2007) Senegalese writer and film director. He fought with the Free French in World War II. After the war, he worked as a docker and taught himself French. His writings, often on historical-political themes, include The Black Docker (1965), God’s Bits of Wood (1960), and Niiwam and Taaw (1987). Around 1960 he became interested in film; since studying in Moscow, he has made films reflecting a strong social commitment, including Black Girl (1966), the first feature produced in sub-Saharan Africa. With Mandabi (1968), he began to film in the Wolof language; his later films have included Xala (1974), Ceddo (1977), Camp de Thiaroye (1987), and Guelwaar (1994).

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

James Van Der Zee

“James (August Joseph) Van Der Zee: (1886-1983) U.S. photographer. Born in Lenox, Massachusetts, he moved in 1906 with his family to Harlem in New York City. In 1915 he moved to Newark, New Jersey, to take a job in a portrait studio. He soon returned to Harlem to set up his own studio, and the portraits he took from 1918 to 1945 chronicled the Harlem Renaissance; among his many renowned subjects were Countee Cullen, Bill Robinson, and Marcus Garvey. After World War II his fortunes declined along with Harlem’s, until the Metropolitan Museum of Art exhibited his photographs in 1969.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Bernard Coard on the Cultural Bias

“The Cultural Bias: This normally takes the form of linguistic difference between West Indian English and ‘standard classroom’ English. The West Indian child’s choice of words, usage, and meaning of words, pronunciation, and intonation, sometimes present tremendous difficulties in communication with the teacher, and vice versa. This factor, while recognized in a lip service way by many of the teachers and other authorities involved, is often ignored when assessing and generally relating to the child. Thus, teachers often presume to describe West Indian children as being ‘dull’, when in fact no educated assessment of the child’s intelligence can be made under these circumstances. In addition, many behaviour patterns and ways of relating to the teacher which are part of West Indian culture are misunderstood by the teacher, who usually has no understanding of or inclination to learn about the West Indian culture. The ILEA report (page 10) points out that only three of the nineteen schools suggested as a helpful method the training of teachers about the culture of the immigrant’s country. While certain initial attempts are being made to educate teachers in this direction, the scope and direction of the programme—and the people running it—make one very sceptical about its usefulness.

On common difficulty, for instance, arises from the fact that the child is not expected to talk and ‘talk back’ as much in the West Indian classroom as he is here, in the English classroom. English teachers tend to interpret this apparent shyness and relative unresponsiveness as indicating silent hostility or low intelligence. Many teachers have said to me that only after years of experience have they discovered that when the West Indian child does not understand what they are saying, he replies ‘Yes’, because he thinks this is expected of him in his relationship with the teacher. Moreover, many children fear that they may arouse the teacher’s anger or be thought stupid if they as her to repeat what she has said.”

Excerpted from: Coard, Bernard. How the West Indian Child Is Made Educationally Sub-Normal in the British School System: 50th Anniversary Expanded Fifth Edition. Kingston, Jamaica: McDermott Publishing, 2021.

Perry Preschool Project

“Perry Preschool Project: A longitudinal study that examined the lives of 123 African American children born in poverty and at high risk of school failure. From 1962 to 1967, at ages 3 and 4, the subjects were randomly divided into a program group that received a high-quality preschool program and a comparison group that received no preschool program. Those who participated in the high-quality preschool program were later found to have higher earnings, to be more likely to be employed, to be less likely to have committed crimes, and to be more likely to have graduated from high school than were adults from the comparison group who had received no preschool education.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Frederick Douglass on Patriotism

“No, I make no pretension to patriotism. So long as my voice can be heard on this or the other side of the Atlantic, I will hold up America to the lightning scorn of moral indignation. In doing this, I shall feel myself discharging the duty of a true patriot; for he is a lover of this country who rebukes and does not excuse its sins.”

Frederick Douglass

Speech at Market Hall, New York, N.Y., 22 Oct. 1847

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

African Methodist Episcopal Church (AME Church)

“African Methodist Episcopal Church (AME Church): African-American Methodist denomination, formally organized in 1816. It originated with a group of black Philadelphians who withdrew in 1787 from St. George’s Methodist Episcopal Church because of racial discrimination and built Bethel African Methodist Church. In 1799 Richard Allen became minister of Bethel, and in 1816 he was consecrated bishop of the newly organized African Methodist Episcopal Church. Limited at first to the Northern states, the church spread rapidly in the South after the Civil War. It founded many colleges and seminaries, notably Wilberforce University (1856) in Ohio. Today it has 3,600 churches and more than a million members worldwide.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Great Migration in American Culture, Politics, and Society

Toni Morrison’s parents migrated from Alabama to Lorraine, Ohio. Diana Ross’s mother migrated from Bessemer, Alabama to Detroit, her father from Bluefield, West Virginia. Aretha Franklin’s father migrated from Mississippi to Detroit. Jesse Owens’s parents migrated from Oakville, Alabama, to Cleveland when he was nine. Joe Louis’s mother migrated with him from Lafayette, Alabama to Detroit. Jackie Robinson’s family migrated from Cairo, Georgia, to Pasadena, California. Bill Cosby’s father migrated from Schuyler, Virginia to Philadelphia, where Cosby was born. Nat King Cole, as a young boy, migrated with his family from Montgomery, Alabama to Chicago. Condoleeza Rice’s family migrated from Birmingham, Alabama to Denver, Colorado, when she was twelve. Thelonious Monk’s parents brought him from Rocky Mount, North Carolina, to Harlem when he was five. Berry Gordy’s parents migrated from rural Georgia to Detroit, where Gordy was born. Oprah Winfrey’s mother migrated from Koscisusko, Mississippi, to Milwaukee, where Winfrey went to live as a young girl. Mae Jemison’s parents migrated from Decatur, Alabama, to Chicago when she was three years old. Romare Bearden’s parents carried him from Charlotte, North Carolina, to New York City. Jimi Hendrix’s maternal grandparents migrated from Virginia to Seattle. Michael Jackson’s mother was taken as a toddler from Barbour County by her parents to East Chicago, Indiana; his father migrated as a young man from Fountain Hill, Arkansas, to Chicago, just west of Gary, Indiana, where all the Jackson children were born. Prince’s father migrated from Louisiana to Minneapolis. Sean “P. Diddy” Combs’s grandmother migrated from Hollyhill, South Carolina, to Harlem. Whitney Houston’s grandparents migrated from Georgia to Newark, New Jersey. The family of Mary J. Blige migrated from Savannah, Georgia, to Yonkers, New York. Queen Latifah’s grandfather migrated from Birmingham, Alabama, to Brooklyn. August Wilson’s mother migrated from North Carolina to Pittsburgh, following her own mother, who, as the playwright told it, walked most of the way.”

Excerpted/Adapted from: Wilkerson, Isabel. The Warmth of Other Suns: The Epic Story of America’s Great Migration. New York: Vintage, 2011.

R.D. Laing on Insanity

“Insanity: a perfectly rational adjustment to the insane world.”

R.D. Laing

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.