Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Ralph Waldo Ellison

“Ralph Waldo Ellison: (1914-1993) American novelist, essayist, short-story writer, and critic. Ellison was recognized as one of the most influential and accomplished American authors of the twentieth century. He is best-known for his highly acclaimed first novel, Invisible Man, the story of a young African-American man’s painful efforts to find identity and recognition in a society that sees only his superficial racial characteristics. Recipient of the National Book Award for fiction, Invisible Man is regarded as a masterpiece for its complex treatment of racial repression and betrayal.

Ellison’s first collection of essays, Shadow and Act (1964), covers over two decades of reviews, criticism, and interviews concerning such subjects as literature, music, art, and race. Going to the Territory (1986) echoes many of these concerns. Ellison’s short stories, written in the 1940s and 1950s, are often anthologized. He taught and lectured widely in both America and Europe and was Albert Schweitzer Professor of Humanities at New York University (1970-79). Ellison was at work on another novel, which had once already been destroyed by a fire at his home, at the time of his death.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Frederick Douglass on Slave Songs

“[Of slave songs:] Every tone was a testimony against slavery, and a prayer to God for deliverance from chains.”

Narrative of the Life of Frederick Douglass ch. 2 (1845)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Wayne Shorter

“Wayne Shorter: (1933-2023) U.S. saxophonist and composer. Born in Newark, New Jersey, he studied at New York University, He played with Art Blakey’s group 1959-64, acting as its musical director, then joined Miles Davis’s remarkable mid-1960s group, including Herbie Hancock, bassist Ron Carter, and drummer Tony Williams. In 1970, he and Joe Zawinul formed Weather Report, the most significant jazz-rock ‘fusion’ band of the 1970s, with bassist Jaco Pastorius. He has written many distinctive jazz standards.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Alice Walker

“Alice (Malsenior) Walker: (b.1944) U.S. writer. Born in Eatonton, Georgia, Walker moved to Mississippi after attending Spelman and Sarah Lawrence colleges and became involved with the civil-rights movement. Her works are noted for their insightful treatment of African-American culture. Her third and most popular novel, The Color Purple (1982; Pulitzer Prize; film, 1985), depicts a black woman’s struggle for racial and sexual equality. Her later novels include The Temple of My Familiar (1989) and Possessing the Secret of Joy (1992). She has also written essays, some collected in In Search of Our Mothers’ Gardens (1983); several books of poetry; short stories; and children’s books.

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

[Addendum: The Color Purple was filmed a second time, in 2023; this second film adaptation was based on the Broadway musical of The Color Purple.]

The Weekly Text, 20 February 2026, Black History Month Week III: A Reading on Arturo Schomburg

Sometime not long after I returned to New York in 2021, I attended a lecture a the New York Public Library (the main on 5th Avenue and 42nd Street, with the lions Patience and Fortitude at the front) on Arturo Schomburg. When I lived in Harlem, I walked by his namesake, the Schomburg Center for Research in Black Culture, every morning on my way to work. I also regularly stopped in to view exhibits there as well.

Therefore, Arturo Schomburg has been something of a presence in my intellectual life since 2004.

There are two biographies of Arturo Schomburg: Diasporic Blackness: The Life and Times of Arturo Schomburg,  by Vanessa Valdes or Arturo Schomburg: Black Bibliophile and Collector by Elinor Des Verney Sinette. I read the latter

One thing that I did pick up on at the lecture and in Ms Sinette’s book, however, was the existence of this article from the man himself. This is a PDF of an article “Arthur” (one thing I learned about Schomburg is that very little is known about him, including which given version of his given name he was using at any time) Schomburg wrote on Black History, “The Negro Digs Up His History.” Nota bene, please, that I have only posted the reading; next year at this time (I already have the basic structure assembled) you’ll find a fully realized lesson plan to accompany this article.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Muhammad Ali on Joe Frazier

Frazier is so ugly that he should donate his face to the US Bureau of Wild Life.”

Muhammad Ali

Excerpted from: Sherrin, Ned, ed. The Oxford Dictionary of Humorous Quotations. New York: Oxford University Press. 1996.

C(yril) L(ionel) (R)obert James

“C(yril) L(ionel) R(obert) James: (1901-1989) Trinidadian writer and political activist. As a young man he moved to Britain, where his first work, The Life of Captain Cipriani, was published in 1929. His study of Toussaint-Louverture, The Black Jacobins (1938) was a seminal work. During his first stay in the U.S. (1938-53), he became friends with Paul Robeson. Eventually deported to Britain because of his Marxism and labor activism, James wrote on cricket for the Guardian. His Beyond the Boundary (1963) mixes autobiography with commentary on politics and sports. He returned the to the U.S. in 1970 but eventually settled permanently in Britain.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Bernard Coard on the Intellectual and Emotional Oppression of the West Indian Child in the British School System

“The Black child acquires two fundamental attitudes or beliefs as a result of his experiencing the British school system: a low self-image, and consequently low expectations in life. These are obtained through streaming, banding, bussing, ESN [Educationally Sub-Normal] schools, racist news media, and a white middle-class curriculum; by totally ignoring the Black child’s language, history, culture, identity. Through the choice of teaching materials, the society emphasizes who and what it thinks is important—and by implication, by omission, who and what it thinks is unimportant, infinitesimal, irrelevant. Through the belittling, ignoring, or denying of a person’s identity, one can destroy perhaps the most important aspect of a person’s personality—his sense of identity, of who he is. Without this, he will get nowhere.”

Excerpted from: Coard, Bernard. How the West Indian Child Is Made Educationally Sub-Normal in the British School System: 50th Anniversary Expanded Fifth Edition. Kingston, Jamaica: McDermott Publishing, 2021.

Paul Robeson in Testimony Before the House Un-American Activities Committee (HUAC)

“My father was a slave and my people died to build this country, and I’m going to stay right here and have a part of it, just like you. And no fascist-minded people like you will drive me from it. Is that clear?”

Paul Robeson, Testimony before House Un-American Activities Committee. 

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Teddy Wilson

“Teddy Wilson (originally Theodore Shaw) (1912-1986) U.S. pianist and bandleader, the principal pianist of the swing era. Born in Austin, Texas, he began recording as the leader of small groups in 1935. These recordings, which featured Billie Holiday, are classics of small-group swing. Wilson joined Benny Goodman’s trio in 1936. After 1940 he worked primarily as a leader of small groups or as a solo pianist, showcasing his tasteful and refined amalgam of the styles of Fats Waller, Earl Hines, and Art Tatum.”

Excerpted from: Macey, David. The Penguin Dictionary of Critical Theory. New York: Penguin, 2001.