Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Term of Art: Acting Out

“Acting out: 1. In psychoanalysis, the enactment rather than the recollection of past events, especially enactments relating to the transference during therapy. It is often impulsive and aggressive, and it is usually uncharacteristic of the patient’s normal behavior. The concept was introduced by Sigmund Freud (1856-1839) in An Outline of Psychoanalysis (1938/40): the patient ‘acts it [the past event] before us, as it were, rather than reporting it to us’ (Standard Edition, XXIII, pp. 144-207, at p. 176). 2. A defense mechanism in which unconscious emotional conflicts or impulses are dealt with by actions, including parapraxes, rather than thought or contemplation. act out vb.”

Excerpted from: Colman, Andrew M., ed. Oxford Dictionary of Psychology. New York: Oxford University Press, 2003.

7 Notes

“Do * Re * Mi * Fa * So * La * Ti

As early as the seventeenth century, European musicians believed that this mnemonic for teaching musical pitch was derived from a Muslim source, though we now think this may itself lead back to a Sanskrit Bronze Age hymn. There is an equally strong tradition that it came from the first letters of each phrase of an eighth-century hymn to Saint John which goes: ‘So that these your servants can, with all their voice, sing your wonderful feats, clean the blemish of our spotted lips, O Saint John’—or, rather, in Latin, ‘Ut queant laxis resonare fibris, Mira gestorum famuli tuorum, Solve pollute labii reatum, Sancte Ioannes.’

However, for most of us the whole seven-not mnemonic is intrinsically bound up in Julie Andrews’ teaching the Von Trapp children to sing in the film The Sound of Music. This is one of the most beloved propaganda films of all time, creating an emotional case for excluding the inhabitants of the beautiful mountain scenery from any complicity with the war crimes of Nazi Germany. ‘Doe a deer, a female deer, Ray, a drop of golden sun, etc.’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Write It Right: As for So

“As—as for So—as. ‘He is not as good as she.’ Say, not so good. In affirmative statements the rule is different: He is as good as she.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Fascist Aesthetic

“Fascist Aesthetic: Associated primarily with Hitler, Mussolini, and Franco, this was art with propagandistic intentions clearly outlined in realist styles, giving it a close resemblance to socialist realism. In Germany, images of youthful blonds reflected myths of Aryan superiority, while the heavy, grandiose architecture at Munich and Nuremberg proclaimed an imperial destiny inherited from antiquity. It strongly contrasts with modern art, dubbed degenerate (entartete) by Hitler.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Rotten Rejections: Madame Bovary

“You have buried your novel underneath a heap of details which are well done but utterly superfluous….”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Flying Buttress

“Flying Buttress: A bridge of masonry that transmits the thrust of a vault or roof to an outer support. Characteristic of Gothic architecture.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Devil’s Dictionary: Dictator

“Dictator, n. The chief of a nation that prefers the pestilence of despotism to the plague of anarchy.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Term of Art: Participle

“Participle: A verbal A that functions as an adjective. Present participles end in -ing (brimming); past participles typically end in -d or -ed (injured) or -en (broken) but may appear in other forms (brought, been, gone).”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Environment Art

“Environment Art: Not to be confused with earth art, in its broadest sense earth art refers to the work of artists who manipulate the man-made environment. Controlled spaces, whether sculpted or constructed of building materials or light beams or sound—are intended to be experienced with all the senses. A major theme has been the fusion of architecture and sculpture in a room space that surrounds the entering viewer, such as the life-size, three-dimensional tableaux created by Edward Kienholz. Environment art has appeared sporadically in several 20th-century movements, including Dada, surrealism, and pop art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Ben Bagdikian on American Journalism

“Trying to be a first-rate reporter on the average American newspaper is like trying to play Bach’s St. Matthew Passion on a ukulele: the instrument is too crude for the work, for the audience and for the performer.”

Ben Bagdikian

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.