Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Fourth Dimension

“Fourth Dimension: A non-Euclidean geometrical concept that first became popular in France around 1910 and that may have influenced the Cubists. Picasso and Braque as well as Marcel Duchamp painted objects from multiple perspectives, suggesting a synthesis of views taken at various points in time. Contemporary artists such as Tony Robbin are once again dealing with issues of the fourth dimension by using computers and concepts based in physics and mathematics.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Collis P. Huntington on his Possessions

“Whatever is not nailed down is mine. Whatever I can pry loose is not nailed down.”

Collis P. Huntington

Attributed in Robert W. Kent, Money Talks (1985)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Book of Answers: Beowulf

“How many monsters does Beowulf kill? Three—Grendel, Grendel’s mother, and a dragon. The Old English poem Beowulf is thought to date from the eighth century.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

7 Vowels

Alpha * Epsilon * Eta * Iota * Omicron * Upsilon * Omega

The vowels have always been linked to the seven heavens, most famously in Hebrew, where the seven unwritten vowels created the sound for God—Jehovah. The link between the language of man and the presumed languages of the seven Heavenly spheres has always been speculated upon. However, it is one of the more arcane secrets of the mystics which of the seven planets is linked to which vowel.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Term of Art: Modal Auxiliaries

“Modal Auxiliaries: Any of the verbs that combine with the main verb to express necessity (must), obligation (should), permission (may), probability (might), possibility (could), ability (can), or tentativeness (would). Mary might wash the car.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Term of Art: Parallelism

“Parallelism: In rhetoric, a device in which a formula or structural pattern is repeated, as in the Latin sequence veni, vidi, vici and its English translation I came, I saw, I conquered. It occurs in sayings and proverbs (such as Now you see them, now you don’t and Out of sight, out of mind) and in verse and poetic prose (‘My mother groaned, my father wept—/ Into the dangerous world I leapt’ (William Blake, Songs of Experience)).”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Glory

“Glory: A general term for the representation of an emanation of light around a sacred personage. Aureole, halo, nimbus, and mandorla are types of glories.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Devil’s Dictionary: Demagogue

Demagogue, n. A political opponent.” 

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Term of Art: Main Clause

“Main Clause: An independent clause, which can stand alone as grammatically complete sentence. Grammarians quibble.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Slaughterhouse-Five by Kurt Vonnegut

 Slaughterhouse-Five: A novel (1969) by the US writer Kurt Vonnegut Jr (1922-2007), drawing on his experience of witnessing, as a prisoner of war, the Allied destruction of Dresden by fire bombs during the Second World War. The framework of the book concerns Billy Pilgrim, who is transported by aliens through a time warp, enabling him to witness events in the past of which he has foreknowledge. So it is that, with other US prisoners, he finds himself shut up in a slaughterhouse (Slaughterhouse-Five) in Dresden when the city is bombed. An interesting film version (1972) was directed by George Roy Hill.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.