Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Hank Aaron

“Aaron, Hank: (orig. Henry Louis) (1934-2021) U.S. baseball player. Born in Mobile, Alabama, he played briefly in the Negro and minor leagues before joining the Milwaukee Braves in 1954. He would play outfield most of his career. By the time the Braves moved to Atlanta in 1965, he had hit 398 career home runs; in 1974 he hit his 715th, breaking Babe Ruth’s record. He played his final two seasons (1975-76) with the Milwaukee Brewers. His records for career home runs (755), extra-base hits (1,477), and runs batted in (2,297) remain unbroken, and only Ty Cobb and Pete Rose exceeded him in career hits (3,771). He is renowned as one of the greatest hitters of all time.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Term of Art: Afroasiatic Languages

“Afroasiatic languages formerly Hamito-Semitic languages: Superfamily of about 250 languages presently spoken by and estimated 250-300 million people ethnically and physically diverse people in North Africa and parts of sub-Saharan Africa and in southwest Asia. The major branches of Afroasiatic are Semitic, Berber, Egyptian, Cushitic and Chadic. Berber is a group of closely related languages spoken by perhaps 15 million people in enclaves scattered across North Africa from Morocco to northwest Egypt and in parts of the western Sahara. Cushitic is a family of about 30 languages spoken by more than 30 million people in northeast Sudan, Eritrea, Ethiopia, Somalia, Djibouti, Kenya, and a few areas of northeast Tanzania. Omotic, formerly classified as part of Cushitic, is a cluster of perhaps more than 30 languages spoken by 2-3 million people, most of whom live near the Omo River in southwest Ethiopia. Chadic comprises about 140 languages, most poorly known to linguists, spoken in northern Nigeria, southern Niger, southern Chad, and northern Cameroon; except for Hausa, probably no individual Chadic language has more than half a million speakers.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

African Music

“African music: Music of sub-Saharan Africa. Though a vast geographical area with diverse cultures, Africa’s music has a number of unifying traits. Its traditional music, including its ‘art music,’ is orally transmitted; thus, pieces do not exist as finished works, but are conceived of as recreated differently with each performance. Another general characteristic is the prevalence of ‘call and response.’ Aside from its spiritual and celebratory and dance-accompanying roles, African music has a distinctly political role; the griot sings the tribe’s history and creates songs of praise for the leader, or mocking songs when community feeling is running against the leader. The association of words with music extends to the existence of words to be thought while performing purely instrumental pieces. Being largely improvisational, African music employs only limited counterpoint (including roundlike imitation that may be an outgrowth of overlapping calls and responses), though melodies are often accompanied in parallel intervals, creating a chordal texture, and truly polyphonic music is played on the mbira, where the melodies performed by the two hands are conceived as separate. Rhythm is highly developed in Africa. Whereas Westerners tend to perceive simultaneous patterns as sharing a common meter, Africans think of such patterns as cycles with different starting points. Outside influences have played a role in African music, most importantly Islam. In recent times, compatible elements of Western music have mixed with indigenous elements, though in popular music these Western influences more likely arrived via Arabic and Indian examples. The music of North Africa represents a separate tradition.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Richard Allen

“Richard Allen: (1760-1831) U.S. religious leader. He was born to slave parents in Philadelphia, and his family was sold to a Delaware farmer. A Methodist convert at 17, he was licensed to preach five years later. By 1786 he had purchased his freedom and settled in Philadelphia, where he joined St. George’s Methodist Episcopal Church. Racial discrimination prompted him to withdraw in 1787, and he turned an old blacksmith shop into the first black church in the United States. Allen and his followers built the Bethel African Methodist Church, and in 1799 he was ordained as its minister. In 1816 he organized a conference of black leaders to form the African Methodist Episcopal Church, of which he was named the first bishop.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Nella Larsen

“Nella Larsen: (1891-1964) American novelist and short-story writer. Larsen’s reputation as one of the luminaries of the Harlem Renaissance rests upon her two published novels, Quicksand (1928) and Passing (1929). Both are studies of middle-class mulatto women and the politics of the color line. Here work is noted for its economy of expression and psychological depth. Although Larsen was the first African-American woman to win a Guggenheim fellowship (1930), her literary career declined shortly afterward due to professional and personal difficulties. Larsen died in obscurity after working as a nurse for more than twenty years in New York City.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Afrocentrism

“Afrocentrism: Ideology that promotes the study of history from an African point of view, viewing Africans as agents of history and not merely as subjects of investigation. One of its controversial tenets is that ancient Greek culture, especially philosophy, owes its accomplishments to Egypt, and idea brought to widespread attention by Martin Bernal’s Black Athena (1989). The debate on Afrocentrism has sparked charges and countercharges of racism, in part due to extremist pronouncements on both sides. A number of urban schools in the United States now offer an Afrocentric curriculum.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Martin Luther King Jr. on Riots

“A riot is at bottom the language of the unheard.”

Dr. Martin Luther King Jr., Where Do We Go From Here ch. 4 (1967)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Leroy Robert “Satchel” Paige on a Balanced Social Life

“Go very lightly on the vices, such as carrying on in society. The social ramble ain’t restful.”

“How to Keep Young,” Colliers, 13 June 1953

Leroy Robert “Satchel” Paige

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Art Ensemble of Chicago

“Art Ensemble of Chicago: U.S. jazz ensemble, innovators in free jazz. The group evolved from the Association for the Advancement of Creative Musicians (AACM), an experimental collective. Saxophonists Roscoe Mitchell and Joseph Jarman, trumpeter Lester Bowie, bassist Malachi Favors, and drummer Don Moye formed the group in 1969, combining freely changing tempos, dynamics, and textures with an often comic theatricality of presentation. Their diversity of inspiration is expressed by their motto, ‘Great Black Music—Ancient to Modern.’”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Althea Gibson

“Althea Gibson: (1927-2003) U.S. tennis player. Born in Silver, South Carolina, she moved to New York City when she was three, later returning south to attend Florida A&M University. She was the first black tennis player to win the French (1956) and Wimbledon and U.S. singles championships (1957-58). She also won the U.S. mixed doubles, Australian women’s doubles (both 1957), and U.S. professional women’s title (1960), for a total of 11 Grand Slam events. Ranked number 1 in the U.S. for 1957 and 1958, she was voted Female Athlete of the Year by the Associated Press both years, the first black athlete to receive that honor.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.