Category Archives: Essays/Readings

This category often, but not always, designates a piece of my own writing on a topic on a variety of topics. So, if you are interested in listening to me bloviate, click on this category! The Essays/Readings category may also include extended quotes from books, particularly on pedagogy, literacy, terms of art, and philosophy.

Term of Art: Ambiguous

“Ambiguous: Having two or more meanings. Defined as a property of sentences or utterances: I filled the pen is thus ambiguous, as a whole, in that the pen may refer to a writing instrument or to an enclosure for animals. Most accounts distinguish lexical ambiguity, due as in the example to the different meanings of lexical units, from grammatical or syntactic ambiguity. For the latter compare e.g. I like good food and wine, where good could relate syntactically to either food alone or to both food and wine; what is liked would correspondingly be good food and any wine whatever, or good food and wine that is also good.

Many linguists will talk of ambiguity only when it can be seen, as in these examples, as inherent in a language system. It can thus be defined as a property of sentences, independent of the contexts in which they are uttered on specific occasions. Other linguists will distinguish semantic ambiguity, as ambiguity inherent in a language, from pragmatic ambiguity. But what exactly is inherent in a language is as problematic here as elsewhere.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Symbolist Movement

“Symbolist Movement: A literary movement in France (Stephane Mallarme, Charles Baudelaire, Paul Verlaine) which got underway about 1885 in reaction to Realism and Impressionism. In painting, Gustave Moreau, Pierre Puvis de Chavannes, Odilon Redon, and Gustav Klimt produced lyrical dream fantasies, combining mystical elements with an interest in the erotic and decadent.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Bushido

“Bushido: (Japanese, ‘way of the warrior‘) At first an unwritten code of ethics, devised for the moral and spiritual guidance of the entire military class by military leaders during the Kamakura period, bushido was codified during the Tokugawa regime. Emphasis was always placed upon personal and reciprocal loyalty and duty, both among and between samurai and lord. By the Tokugawa period, the code had evolved to incorporate both the aesthetic and ascetic elements that are contained in Zen discipline.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Weekly Text, April 10, 2020, Asian Pacific American Heritage Month Week II: A Reading and Comprehension Worksheet on Zen Buddhism

OK, last but not least this morning, this week’s Text, in this blog’s ongoing observation of Asian Pacific American Heritage Month 2020, here is a reading on Zen along with its accompanying vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Osamu Dazai

Osamu Dazai: (1909-1948) Japanese author. Although chiefly known for his fiction, Dazai also wrote personal essays and memoirs, children’s stories, and historical narratives. His work has attracted a large and dedicated readership, for whom the author’s deeply troubled life, and its brilliant retelling, have struck a responsive chord. In masterpieces such as Shayo (1947; tr The Setting Sun, 1956), and Ningen shikkaku (1948; tr No Longer Human, 1957), Dazai captured the postwar crisis of Japanese cultural identity and the travail of a lost generation of youth. The characteristic Dazai protagonist, in his addictive, womanizing, self-indulgent excess, artfully mirrors the life of the author, who, following numerous failed suicide attempts, eventually succeeded. This final act of self-dramatization is reminiscent of Akutagawa and Mishima.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Mahabharata

“Mahabhrata: One of the two great epic poems of ancient India (the other being the Ramayana), about eight times as long as the Iliad and the Odyssey together. It is a great compendium, added to as late as AD 600, although it had very nearly acquired its present form by the 4th century. Covering an enormous range of topics, the Mahabharata, with its famous interpolation, the Bhagavadgita, has as its central theme the great war between the sons of two royal brothers, in a struggle for succession. The brothers are Dhritarashtra and Pandu, their families being referred to respectively as the Kauravas and the Pandavas. The Pandavas ultimately prevail, the eldest of them, Yudhishtira, gains the throne, and Arjuna, one of his younger brothers and in many ways the hero of the entire epic (especially through the Bhagavadgita), gains the hand of the lovely Draupadi and brings her home as the wife of all five brothers, The epic also contains the Shantiparvan, an important discourse on statecraft, and the famous Savitri episode, the tale of Nala Damayantt. In its totality, it is an encyclopedia of Hindu life, legend, and thought: ‘What is not in the Mahabharata,’ says the Mahabharata, ‘is not to be found anywhere else in the world.'”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Italianate Style

“Italianate Style: An American residential architectural style seen ca. 1840-1865. Fancifully adapted from Italian Renaissance palaces, the American version is typically of two or three stories with a low-pitched hip roof, formal balance of design, wide and bracketed eves, and much interest in such façade details as window caps. Most examples have a cupola or belvedere. The innovation of cast-iron construction in the mid-19th century provided affordable, mass-produced Italianate facades such as those still found on the SoHo district of New York City.”

 Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Taboo

“Taboo: The term taboo derives from the Tongan ‘tabu,’ meaning ‘sacred” or ‘inviolable.’ However, its contemporary use is broader, most generally meaning a social and often sacred prohibition put upon certain things, people, or acts, which render them untouchable or unmentionable. The most famous taboo is the near-universal incest taboo, prohibiting sexual or marriage relations between particular categories of kin. According  to both Sigmund Freud (Totem and Taboo, 1938) and Claude Levi-Strauss (The Elementary Structures of Kinship, 1969), society itself originated with the incest taboo. Other authors have stressed the function performed by taboos in society. Raymond Firth (in Symbols Public and Private, 1973) interpreted taboo as a mechanism of social control. In Purity and Danger (1966), Mary Douglas drew attention to the way in which taboo serves as a social marker, creating and maintaining social classifications.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Book of Answers: The Koran

“When was the Koran written? It existed first in oral form as series of revelations recited by the prophet Muhammad (570-632), founder of Islam. His followers wrote down or committed to memory the individual surahs, or chapters, but these were not collected in authoritative form until about 650.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Lu Hsun

Lu Hsun: (also romanized as Lu Xun; pseudonym of Chou Shu-jen, 1881-1936) Generally regarded as modern China’s finest writer. Born to a family of traditional scholars, because of the death of his father and a decline in the family fortunes, he was sent to a school that taught Western technical subjects. He later studied Western medicine in Japan, but soon realized that his people needed more than physical healing. He quit his medical studies and turned to literature, returning to China to use his writing to expose the superstitions and injustices of the early Republican period. He his best known for his two collections of short stories, Nahan (generally translated as Call to Arms), published in 1923, and Panghuang (Wandering) published in 1926. His story “A Madman’s Diary” (“K’uang-jen ji-chi) vividly and painfully chronicles the growing realization of the cannibalistic, “dog-eat-dog” nature of Chinese society. “The New Year’s Sacrifice” (“Chu-fu”) is an account of a modern intellectual’s disturbing and eye-opening return to his traditional home for the New Year’s festivities. Painfully aware of the limitations of literature for effecting real change, in 1926 he stopped writing fiction altogether. Translations of his works include Diary of a Madman and Other Stories (1990), The Complete Stories of Lu Xun (1956-60), and Selected Stories of Lu Xun (1980), as well as his seminal scholarly work, A Brief History of Chinese Fiction (1959).

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.